The History of Persecution, from the Patriarchal Age, to the Reign of George IIChandler, Samuel
History
The History of Persecution, from the Patriarchal Age, to the Reign of George II
Chandler, Samuel
Persecution -- Great Britain; Persecution -- History
“As he approached the communion table, he made many lowly bowings, and
coming up to the side of the table, where the bread and wine were
covered, he bowed seven times; and then, after the reading of many
prayers, he came near the bread, and gently lifted up the corner of the
napkin wherein the bread was laid; and when he beheld the bread, he laid
it down again, flew back a step or two, bowed three several times
towards it; then he drew near again, and opened the napkin, and bowed as
before. Then he laid his hand on the cup, which was full of wine, with a
cover upon it; which he let go, then went back, and bowed thrice towards
it. Then he came near again; and lifting up the cover of the cup, looked
into it, and seeing the wine, he let fall the cover again, retired back,
and bowed as before. Then, he received the sacrament, and gave it to
some principal men; after which many prayers being said, the solemnity
of the consecration ended.”
In this manner have I seen high mass celebrated pontifically. And from
whence did the pious Laud learn all these kneelings, bowings, throwings
of dust, cursings, blessings, and adorations of the sacramental
elements; from the sacred scriptures, or the writings of the primitive
fathers? No: it was an exact copy of the Roman Pontifical, which was
found in his study; and though he alledged in his defence that it was a
form communicated by Bishop Andrews to him, it was ridiculous, since
Andrews himself had it from the same pontifical.
[334]The next year, 1632, Henry Sherfield, Esq. recorder of Sarum, was
fined in the Star Chamber £500. on the following occasion. There was in
the city of Salisbury a church called St. Edmund’s, whose windows were
painted with the history of the creation; where God the Father was
represented in the form of an old man, creating the world during the
first six days, but painted sitting on the seventh, to denote the day of
rest. In expressing the creation of the sun and moon, the painter had
put in God’s hand a pair of compasses, as if he was going to measure
them. The recorder was offended with this profaneness; and, by an order
of vestry, took down those painted glasses, and broke some of the panes
with his stick, and ordered others to be put up in their room. Upon this
an information was exhibited against him in the Star Chamber, by the
attorney-general; where Sherfield was for this reason charged with being
ill-affected to the discipline of the Church of England, and the
government thereof by bishops, because he had broken excellent pictures
of the creation, and fined for his crime in the sum above mentioned,
committed to the Fleet, removed from his recordership, and bound to his
good behaviour. Nor was Laud ashamed, in justification of such pictures,
to urge, as the papists continually do, that place in Dan. vii. 9, in
which God is described as “the ancient of days;” shewing himself a worse
divine, or a more popishly affected one, than the Earl of Dorset, who
Public-domain text, read in full here on John Shaqi.
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