GALBA (180-136 B.C.?) was a man of violence and bad faith, not for a moment to be compared to Laelius. His infamous cruelty to the Lusitanians, one of the darkest acts in all history, has covered his name with an ineffaceable stain. Cato at eighty-five years of age stood forth as his accuser, but owing to his specious art, and to the disgrace of Rome, he was acquitted. [21] Cicero speaks of him as _peringeniosus sed non satis doctus_, and says that he lacked perseverance to improve his speeches from a literary point of view, being contented with forensic success. Yet he was the first to apply the right sort of treatment to oratorical art; he introduced digressions for ornament, for pathos, for information; but as he never re-wrote his speeches, they remained unfinished, and were soon forgotten--_Hanc igitur ob caussum videtur Laelii mens spirare etiam in scriptis, Galbae autem vis occidisse_. Laelius had embodied in his speeches many of the precepts of the Stoic philosophy. He had been a friend of the celebrated Panaetius (186-126 B.C.) of Rhodes, to whose lectures he sent his own son-in-law, and apparently others too. Eloquence now began to borrow philosophic conceptions; it was no longer merely practical, but admitted of illustration from various theoretical sources. It became the ambition of cultivated men to fuse enlightened ideas into the substance of their oratory. Instances of this are found in SP. MUMMIUS, AEMILIUS LEPIDUS, C. FANNIUS, and the Augur MUCIUS SCAEVOLA, and perhaps, though it is difficult to say, in Carbo and the two Gracchi. These are the next names that claim our notice. CARBO (164-119 B.C.), the supporter first of the Gracchi, and then of their murderers, was a man of the most worthless character, but a bold speaker, and a successful patron. In his time the _quaestiones perpetuae_ [22] were constituted, and thus he had an immense opportunity of enlarging his forensic experience. He gained the reputation of being the first pleader of his day; he was fluent, witty, and forcible, and was noted for the strength and sweetness of his voice. Tacitus also mentions him with respect in his dialogue _de Oratoribus_. [23]