After the death of these two great leaders, there appear two inferior men who faintly reflect their special excellences. These are C. AURELIUS COTTA (consul 75 B.C.) an imitator of Antonius, though without any of his fire, and P. SULPICIUS RUFUS (fl. 121-88 B.C.) a bold and vigorous speaker, who tried, without success, to reproduce the high-bred wit of Crassus. He was, according to Cicero, [42] the most _tragic_ of orators. His personal gifts were remarkable, his presence commanding, his voice rich and varied. His fault was want of application. The ease with which he spoke made him dislike the labour of preparation, and shun altogether that of written composition. Cotta was exactly the opposite of Sulpicius. His weak health, a rare thing among the Romans of his day, compelled him to practise a soft sedate method of speech, persuasive rather than commanding. In this he was excellent, but that his popularity was due chiefly to want of competitors is shown by the suddenness of his eclipse on the first appearance of Hortensius. The gentle courteous character of Cotta is well brought out in Cicero's dialogue on oratory, where his remarks are contrasted with the mature but distinct views of Crassus and Antonius, with the conservative grace of Catulus, and the masculine but less dignified elegance of Caesar. Another speaker of this epoch is CARRO, son of the Carbo already mentioned, an adherent of the senatorial party, and opponent of the celebrated Livius Drusus. On the death of Drusus he delivered an oration in the assembly, the concluding words of which are preserved by Cicero, as an instance of the effectiveness of the trochaic rhythm. They were received with a storm of applause, as indeed their elevation justly merits. [43] "_O Marce Druse, patrem appello; tu dicere solebas sacram esse rempublicam; quicunque eam violavissent, ab omnibus esse ei poenas persolatas. Patris dictum sapiens temeritas filii comprobavit._" In this grand sentence sounds the very voice of Rome; the stern patriotism, the reverence for the words of a father, the communion of the living with their dead ancestors. We cannot wonder at the fondness with which Cicero lingers over these ancient orators; while fully acknowledging his own superiority, how he draws out their beauties, each from its crude environment; how he shows them to be deficient indeed in cultivation and learning, but to ring true to the old tradition of the state, and for that very reason to speak with a power, a persuasiveness, and a charm, which all the rules of polished art could never hope to attain.