The History of Roman Literature: From the Earliest Period to the Death of Marcus AureliusCruttwell, Charles Thomas
Philosophy
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Cruttwell, Charles Thomas
Latin literature -- History and criticism
same word, _lacerum crudeliter ora, ora manusque_; or of a different
inflexion of it, _omnis feret omnia tellus, non omnia possumus omnes_;
most of all, by employing several words of a somewhat similar sound, what
is in fact a jingle, _e.g._ the well-known line, Cedant _arma togae
con_cedat lau_rea_ lau_di_; or again, mente _cle_mente _edita_ (Laberius).
Instances of this are endless; and in estimating the mechanical structure
of Latin poetry, which is the chief side of it, we observe the care with
which the greatest artists retain every method of producing effect, even
if somewhat old fashioned (see on this subject Munro's Lucr. preface to
Notes II. which has often been referred to.)
NOTE II.--_Some additional details on the History of the Mimus_ (from
Woelfflin. _Publ. Syri Sententiae_, Lips. 1869).
The mime at first differed from other kinds of comedy--(1) in having no
proper plot; (2) in not being presented primarily on the stage; (3) in
having but one actor. Eudicos imitated the gestures of boxing; Theodorus
the creaking of a windlass; Parmeno did the grunting of a pig to
perfection. Any one who raised a laugh by such kinds if imitation was
properly said _mimum agere_. Mimes are thus defined by Diomedes (p. 491,
13 k), _sermones cuiuslibet et molûs sine reverentia vel factorum et
dictorum turpium cum lascivia imitatio_. Such mimes as these were often
held at banquets for the amusement of great men. Sulla was passionately
fond of them. Admitted to the stage, they naturally took the place of
interludes or afterpieces. When a man imitated _e.g._ a muleteer (Petr.
Sat. 68), he had his mule with him; or if he imitated a _causidicus_, or a
drunken ruffian (Ath. 14, 621, c.), some other person was by to play the
foil to his violence. Thus arose the distinction of parts and dialogue;
the chief actor was called _Archimimus_, and the mime was then developed
after the example of the Atellanae. When several actors took part in a
piece, each was said _mimum agere_, though this phrase originally applied
only to the single actor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account