The History of Roman Literature: From the Earliest Period to the Death of Marcus AureliusCruttwell, Charles Thomas
Philosophy
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Cruttwell, Charles Thomas
Latin literature -- History and criticism
_State of Philosophical and Religious Thought during the Period of the
Antonines--Conclusion_.
Greek eloquence revives in the Sophists--Itinerant rhetors--Cynic
preachers of virtue--The better class of popular philosophers--Dio
Chrysostom--Union of philosophy and rhetoric--Greek now the language of
general literature--Reconciliation of philosophy with religion--The
Platonist school--Apuleius--Doctrine of daemons--Decline of thought--
General review of the main features of Roman literatureConclusion.
CHRONOLOGICAL TABLE
LIST OF EDITIONS RECOMMENDED
QUESTIONS OR SUBJECTS FOR ESSAYS, &c.
INTRODUCTION.
In the latter part of the seventeenth century, and during nearly the whole
of the eighteenth, the literature of Rome exercised an imperial sway over
European taste. Pope thought fit to assume an apologetic tone when he
clothed Homer in an English dress, and reminded the world that, as
compared with Virgil, the Greek poet had at least the merit of coming
first. His own mind was of an emphatically Latin order. The great poets of
his day mostly based their art on the canons recognised by Horace. And
when poetry was thus affected, it was natural that philosophy, history,
and criticism should yield to the same influence. A rhetorical form, a
satirical spirit, and an appeal to common sense as supreme judge, stamp
most of the writers of western Europe as so far pupils of Horace, Cicero,
and Tacitus. At present the tide has turned. We are living in a period of
strong reaction. The nineteenth century not only differs from the
eighteenth, but in all fundamental questions is opposed to it. Its
products have been strikingly original. In art, poetry, science, the
spread of culture, and the investigation of the basis of truth, it yields
to no other epoch of equal length in the history of modern times. If we go
to either of the nations of antiquity to seek for an animating impulse, it
will not be Rome but Greece that will immediately suggest itself to us.
Greek ideas of aesthetic beauty, and Greek freedom of abstract thought,
are being disseminated in the world with unexampled rapidity. Rome, and
her soberer, less original, and less stimulating literature, find no place
for influence. The readiness with which the leading nations drink from the
well of Greek genius points to a special adaptation between the two.
Epochs of upheaval, when thought is rife, progress rapid, and tradition,
political or religious, boldly examined, turn, as if by necessity, to
ancient Greece for inspiration. The Church of the second and third
centuries, when Christian thought claimed and won its place among the
intellectual revolutions of the world, did not disdain the analogies of
Greek philosophy. The Renaissance owed its rise, and the Reformation much
of its fertility, to the study of Greek. And the sea of intellectual
activity which now surges round us moves ceaselessly about questions which
society has not asked itself since Greece started them more than twenty
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