In the following pages, an effort has been made to restore a portion of this history, so far as the meagre and careless traces scattered through the Literature of Antiquity will allow.--Of the many beneficent achievements of inventive genius, those which more immediately minister to the personal convenience and comfort of mankind seem to assert a natural pre-eminence. Among the first under this head may be classed the invention of Weaving, with its collateral branches of Spinning, Netting, Sewing, Felting, and Dyeing. An account of the origin and progress of this family of domestic arts can hardly fail to interest the intelligent reader, while it would seem to have a special claim on the attention of those engaged in the prosecution or improvement of these arts. This work is intended to subserve the ends here indicated. In the present age, when the resources of Science and of Intellect have so largely pressed into the service of Mechanical Invention, especially with reference to the production of fabrics from fibrous substances, it is somewhat remarkable that no methodical treatise on this topic has been offered to the public, and that the topic itself seems to have almost eluded the investigations of the learned. With the exception of Mr. Yates’s erudite production, “_Textrinum Antiquorum_,” we possess no competent work on the subject; and valuable as is this production for its authority and profound research, it is yet, for various reasons, of comparative inutility to the general reader. That a topic of such interest deserved elucidation will not be denied when it is remembered that, apart from the question of the direct influence these important arts have ever exerted upon the civilization and social condition of communities, in various ages of the world, there are other and scarcely inferior considerations to the student, involved in their bearing upon the true understanding of history, sacred and profane. To supply, therefore, an important desideratum in classical archæology, by thus seeking the better to illustrate the true social state of the ancients, thereby affording a commentary on their commerce and progress in domestic arts, is one of the leading objects contemplated by the present work. In addition to this, our better acquaintance with the actual condition of these arts in early times will tend, in many instances, to confirm the historic accuracy and elucidate the idiom of many portions of Holy Writ. How many of the grandest discoveries in the scientific world owe their existence to accident! and how many more of the boasted creations of human skill have proved to be but restorations of lost or forgotten arts! How much also is still being revealed to us by the monumental records of the old world, whose occult glyphs, till recently, defied the most persevering efforts of the learned for their solution!