The History of Silk, Cotton, Linen, Wool, and Other Fibrous Substances;: Including Observations on Spinning, Dyeing, and Weaving.Gilroy, Clinton G.
History
The History of Silk, Cotton, Linen, Wool, and Other Fibrous Substances;: Including Observations on Spinning, Dyeing, and Weaving.
Gilroy, Clinton G.
History, Ancient; Textile fabrics -- History
All things are valued by our friends.
_Idyll_, xxviii.
[22] Miletus was called “the towers of Nileus,” from its having been
founded by Nileus, the son of the celebrated king Codrus, who
devoted himself for the safety of Athens. Nileus was so indignant
at the abolition of royalty on his father’s death, that he migrated
to Ionia.
The Roman and Grecian ladies displayed not less taste in the decoration
of their various spinning implements, than those of modern times in
the ornaments of their work-table. The _calathus_ or _qualus_ was
the basket in which the wool was kept for the fair spinsters. It was
usually made of wicker-work. Thus Catullus in his description of the
nuptials of Peleus and Thetis, says:
The softest fleeces, white as driven snow,
Beside their feet in osier baskets glow.
_Poema_, lxiv.
Homer asserts that the Egyptian queen Alcandra presented Helen with a
silver work-basket as well as a golden distaff (Odyss. iv.); and from
the paintings on ancient vases, we see that the _calathi_ of ladies
of rank were tastefully wrought and richly ornamented. From the term
_qualus_ or _quasillus_, equivalent to _calathus_, the Romans called
the female slaves employed in spinning _quasillariæ_.
The material prepared for spinning was wrapped loosely round the
distaff, the wool being previously combed, or the flax hackled by
processes not very dissimilar to those used at the present day amongst
the peasantry in the west of Ireland. The ball thus formed on the
distaff required to be arranged with some neatness and skill, in order
that the fibres should be sufficiently loose to be drawn out by the
hand of the spinner. Ovid declares, that Arachne’s skill in this simple
process excited the wonder of the nymphs who came to see her triumphs
in the textile art, not less than the finished labors of the loom.
Oft, to admire the niceness of her skill,
The nymphs would quit their fountain, shade, or hill:
Thither from green Tymolus they repair,
And leave the vineyards, their peculiar care;
Thither from fair Pactolus’ golden stream,
Drawn by her art, the curious Naids came.
Nor would the work, when finish’d, please so much
As while she wrought to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn’d the spindle round.
_Met_, vi.
The distaff was generally about three feet in length, commonly a stick
or reed, with an expansion near the top for holding the ball. It was
sometimes, as we have shown, composed of richer materials. The distaff
was usually held under the left arm, and the fibres were drawn out
from the projecting ball, being, at the same time, spirally twisted
by the forefinger and thumb of the right hand. The thread so produced
was wound upon the spindle until the quantity was as great as it would
carry.
Public-domain text, read in full here on John Shaqi.
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