The History of Silk, Cotton, Linen, Wool, and Other Fibrous Substances;: Including Observations on Spinning, Dyeing, and Weaving.Gilroy, Clinton G.
History
The History of Silk, Cotton, Linen, Wool, and Other Fibrous Substances;: Including Observations on Spinning, Dyeing, and Weaving.
Gilroy, Clinton G.
History, Ancient; Textile fabrics -- History
The ample domains of Learning are fast being submitted to fresh
irrigation and renewed culture,--the exclusiveness of the cloister has
given place to an unrestricted distribution of the intellectual wealth
of all times. What civilization has accomplished in the physical is
also being achieved in the mental world. The sterile and inaccessible
wilderness is transformed into the well-tilled garden, abounding
in luxurious fruits and fragrant flowers. It is the golden age of
knowledge--its Paradise Regained. The ponderous works of the olden time
have been displaced by the condensing process of modern literature;
yielding us their spirit and essence, without the heavy, obscuring
folds of their former verbal drapery. We want real and substantial
knowledge; but we are a labor-saving and a time-economizing people,--it
must therefore be obtained by the most compendious processes. Except
those with whom learning is the business of life, we are too generally
ignorant of the mighty mysteries which Nature has heaped around
our path; ignorant, too, of many of the discoveries of science and
philosophy, in ancient as well as modern times. To meet the exigencies
of our day, a judgment in the selection and condensation of works
designed for popular use is demanded--a facility like that of the
alchymist, extracting from the crude ores of antiquity the fine gold of
true knowledge.
The plan of this work naturally divides itself into four departments.
The first division is devoted to the consideration of _Silk_, its
early history and cultivation in China and various other parts of the
world; illustrated by copious citations from ancient writers: From
among whom to instance Homer, we learn that embroidery and tapestry
were prominent arts with the Thebans, that poet deriving many of his
pictures of domestic life from the paintings which have been found to
ornament their palaces. Thus it is evident that some of the proudest
attainments of art in our own day date their origin from a period
coeval at least with the Iliad. Again we find that the use of the
distaff and spindle, referred to in the Sacred Scriptures, was almost
as well understood in Egypt as it now is in India; while the factory
system, so far from being a modern invention, was in full operation,
and conducted under patrician influence, some three thousand years
ago. The Arabians also, even so far back as five centuries subsequent
to the deluge, were, it is stated on credible authority, skilled in
fabricating silken textures; while, at a period scarcely less remote,
we possess irrefragable testimony in favor of their knowledge of paper
made from cotton rags. The inhabitants of Phœnicia and Tyre were, it
appears, the first acquainted with the process of dyeing: the Tyrian
purple, so often noticed by writers, being of so gorgeous a hue as to
baffle description. The Persians were also prodigal in their indulgence
in vestments of gold, embroidery and silk: the memorable army of Darius
Public-domain text, read in full here on John Shaqi.
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