The history of the Bastile, and of its principal captivesDavenport, R. A. (Richard Alfred)
History
The history of the Bastile, and of its principal captives
Davenport, R. A. (Richard Alfred)
Bastille -- History; Political crimes and offenses -- France; Prisons -- France -- History
On being liberated he went back to Paris, where he was not more fortunate
than he had been in Italy, for he was committed to the Bastile, in 1675,
whence he was transferred to the Châtelet. To his licentious conduct and
writings he is said to have been indebted for his imprisonment, which
lasted six months. He died about 1679. His principal works are, “Ovid
in good humour,” which is a travestie upon part of the Metamorphoses;
Claudian’s Rape of Proserpine burlesqued; and many poems in a similar
style. Dassouci, who was sometimes called “the ape of Scarron,” received
a lash from the satirical scourge of Boileau, and he complained heavily
of the injury. In his Art of Poetry, Boileau thus alludes to the
popularity which Dassouci had once enjoyed:
“The scurviest joker charmed some kindred mind,
And even Dassouci could readers find.”
It must be owned, however, that in the works of “the emperor of the
Burlesque,” there are some passages which prove that, though his taste
and his morals were defective, he was not destitute of talent.
The reader has seen that, with very few exceptions, the prisoners who
have been mentioned in this chapter belonged to the courtier-class; that
they were men who seemed to feel a difficulty of breathing whenever they
did not inhale the vapours of a frivolous and voluptuous court. We ought
always to abhor injustice, and therefore we must hate the power which was
unjust to them; but they have no title to that liberal share of our pity
which is the right of humbler victims, for it was an implied condition of
their artificial existence that they should bend to a despot’s will; they
purchased the smiles of their master, the pleasures, such as they were,
of the Louvre and Versailles, and a portion of the public spoils, by the
renunciation of their free agency, and by encountering the risk of being
capriciously transferred from a palace to a dungeon. If, relying on his
good luck, a man will venture to play with a gambler whom he knows to
assert the privilege of now and then cogging the dice, his folly perhaps
deserves more compassion than his misfortune.
Public-domain text, read in full here on John Shaqi.
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