The history of the condition of women in various ages and nations : $b Vol. 1 (of 2), Comprising the women of Asia and AfricaChild, Lydia Maria
History
The history of the condition of women in various ages and nations : $b Vol. 1 (of 2), Comprising the women of Asia and Africa
Child, Lydia Maria
Women -- History; Women -- Social conditions
A woman who resolves upon this sacrifice, abstains from food as soon
as her husband is dead, and continually repeats the name of the god
he had worshipped. When the hour arrives, she adorns herself with
rich clothes and jewels, and goes to the funeral pile, attended by
her relations and friends, with the sound of musical instruments. The
Bramins give her drink in which opium is mixed, and sing songs in
praise of heroism. It is said that before the ceremony they try to
dissuade her from her project; but the resolution once taken is sacred.
One of them being warned of the pain she would endure, held her finger
in the fire for some time, and then burned incense on the palm of her
hand, to prove her contempt of suffering. Mr. Forbes mentions a female
whose husband had amply provided for her by will, and, contrary to
the usual custom of the Hindoos, had made her perfectly independent
of his family. “She persisted in her determination to accompany him
to a better world, and suffered not the tears and supplications of
an aged mother and three helpless infants to change her purpose. An
immense concourse of people of all ranks assembled, and a band of music
accompanied the Bramins, who superintended the ceremony. The bower
of death, enwreathed with sacred flowers, was erected over a pile of
sandal-wood and spices, on which lay the body of the deceased. After
various ceremonies, the music ceased, and the crowd in solemn silence
waited the arrival of the heroine. She was attended by her mother and
three lovely children, arrayed in rich attire, and wearing the hymeneal
crown. After a few religious ceremonies, the attendants took off her
jewels, and anointed her dishevelled hair with consecrated ghee, as
also the skirts of her yellow muslin robe. She then distributed her
ornaments among weeping friends, while two lisping infants clung around
her knees to dissuade her from the fatal purpose; the last pledge of
conjugal love was taken from her bosom by an aged parent in speechless
agony. Freed from these heart-piercing mourners, the lovely widow, with
an air of solemn majesty, received a lighted torch from the Bramins,
with which she walked seven times round the pyre. Stopping near the
entrance of the bower, for the last time she addressed the fire, and
worshipped the other deities prescribed; then setting fire to her hair
and the skirts of her robe, to render herself the only brand worthy of
illuminating the sacred pile, she threw away the torch, rushed into the
bower, and embracing her husband, thus communicated the flames to the
surrounding branches. The musicians immediately struck up the loudest
strains, to drown the cries of the victim, should her courage have
forsaken her; but several of the spectators declared that the serenity
of her countenance and the dignity of her behavior surpassed all the
sacrifices of a similar nature they had ever witnessed.”
Public-domain text, read in full here on John Shaqi.
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