The History of the Last Trial by Jury for Atheism in England: A Fragment of Autobiography Submitted for the Perusal of Her Majesty's Attorney-General and the British ClergyHolyoake, George Jacob
Philosophy
The History of the Last Trial by Jury for Atheism in England: A Fragment of Autobiography Submitted for the Perusal of Her Majesty's Attorney-General and the British Clergy
Holyoake, George Jacob
Atheism -- England; Holyoake, George Jacob, 1817-1906 -- Trials, litigation, etc.; Trials (Blasphemy) -- England
'My dada's coming to see me,' Madeline exclaimed on the night of her
death, with that full, pure, and thrilling tone which marked her when
in health. 'I am sure he is coming to night, mama,' and then remembering
that that could not be, she said 'write to him, mama, he will come to
see me;' and these were the last words she uttered--and all that remains
now is the memory of that cheerless, tireless room, and the midnight
reverberation of that voice which I would give a new world to hear
again.
For her father, he was debating in incoherence the vain proposition as
to whether he could prevail on the Governor to let him go home for
one night to smooth and watch over that dying pillow, and he would
cheerfully and gratefully have expiated the privilege by six or twelve
months' additional imprisonment.
O liberty! whom the nations welcome with triumphant shouts, Whom all to
whom the world owes its progress have worshipped--over how many graves
hast thou walked! Rising with the morning's dawn, making all people
radiant with thy presence, the poet thrills as thy chariot is borne on
the tarn's golden beams, and he hails thee as a goddess, and blesses
thee as a bride, and sings of thy triumphs and benefactions! But those
who serve thee--who make their lives a sad and desert waste that thy
pathway through the world may be unobstructed--who kneel to thee in
their dungeon-churches and pour out the incense of life's young warm
blood at gibbet-altars: they know thee by thy gory garments dripping
with the blood of the father and the tear of the orphan, and the
desolation which precedes thy progress. The anthems of thy march are
hollow voices from Siberia's mines, and Vinceanes' cells--the wail of
women under the Russian knout, the groans of Konarski and the whistle
of bullets which slay the Bandiera and Blum--thy trophies are the fresh
graves of Hungary and Rome, thy throne is on a hecatomb of earth's
noblest and bravest sons. Yet art thou still sacred in the eyes of man.
Queen of Genius and Progress! emblem of that suffering through which
Humanity is purified and developed! Thou hast trodden on the grave of
my child, and I worship then still, although thou mayst yet tread on my
own.
Public-domain text, read in full here on John Shaqi.
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