The History of the Manners and Customs of Ancient Greece, Volume 1 (of 3)St. John, James Augustus
History
The History of the Manners and Customs of Ancient Greece, Volume 1 (of 3)
St. John, James Augustus
Greece -- Social life and customs
The earliest task to be performed at school was to gain a knowledge of
the Greek characters, large and small, to spell next, next to read.
Herodes the Sophist experienced much vexation from the stupidity
exhibited in achieving this enterprise by his son Atticus, whose
memory was so sluggish that he could not even recollect the
Christ-cross-row. To overcome this extraordinary dulness he educated
along with him twenty-four little slaves of his own age, upon whom he
bestowed the names of the letters, so that young Atticus might be
compelled to learn his alphabet as he played with his companions, now
calling out for Omicron now for Psi.[592] In teaching the art of
writing their practice nearly resembled our own; the master traced
with what we must call a pencil (γραφὶς), a number of characters on a
tablet, and the pupil following with the pen the guidance of the faint
lines[593] before him, accustomed his fingers to perform the requisite
movements with adroitness.[594] These things were necessarily the
first step in the first class of studies, which were denominated
_music_,[595] and comprehended everything connected with the
developement of the mind; and they were carried to a certain extent
before the second division called gymnastics was commenced. They
reversed the plan commonly adopted among ourselves, for with them
poetry[596] preceded prose, a practice which coöperating with their
susceptible temperament, impressed upon the national mind that
imaginative character for which it was preëminently distinguished. And
the poets in whose works they were first initiated were of all the
most poetical, the authors of lyrical and dithyrambic pieces,
selections from whose verses they committed to memory, thus acquiring
early a rich store of sentences and imagery ready to be adduced in
argument or illustration, to furnish familiar allusions or to be woven
into the texture of their style.[597]
Footnote 592:
Philost. Vit. Soph. ii. 10.
Footnote 593:
Quint. i. 1. Poll. vii. 128. Aristoph. Thesm. 778.
Footnote 594:
Plat. Protag. t. i. p. 181.
Footnote 595:
See Plat. de Rep. ii. t. vi. p. 93. seq. Sch. Aristoph. Eq. 188.
seq.
Footnote 596:
In the Homeric age men, we are told, received their mental
instruction from the bards, and their physical at the
gymnasium.—Athen. i. 16.
Footnote 597:
Cf. Plat. de Rep. t. i. p. 149. Stallb.
Considerable difference however existed in the practice of different
teachers. Some imagining that by the variety of their acquirements
they would be rendered eloquent, recommended the indiscriminate study
of the poets,[598] whether they wrote in hexameter, in trimeter, or
any other kind of verse, on ludicrous or on serious subjects. Certain
poets there were who like Fenelon and the pretended Ossian, wrote
their works in prose,[599] respecting the use of whose compositions
Plato was in some doubt.
Footnote 598:
Public-domain text, read in full here on John Shaqi.
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