In the eighteenth century the black mass persisted. In 1723 the police arrested the abbé Lecollet and the abbé Bournement for this profanity; and in 1745 the abbé de Rocheblanche fell under the same suspicion. At the hotel of Madame de Charolais the vilest scenes of the Sabbat were continued. A gang of Satanists celebrated their monstrous orgies at Paris on 22 January, 1793, the night after the murder of Louis XVI. The abbé Fiard in two of his works, _Lettres sur le diable_, 1791, and _La France Trompée_ ... Paris, 8vo, 1803, conclusively shows that eucharistic blasphemies were yet being perpetrated but in circumstances of almost impenetrable secrecy. In 1865 a scandal connected with these abominations came to light, and the Bishop of Sens, in whose diocese it occurred, was so horrified that he resigned his office and retired to Fontainebleau, where he died some eighteen months later, practically of shock. Similar practices were unmasked at Paris in 1874 and again in 1878, whilst it is common knowledge that the characters of Joris Karl Huysmans’ _Là-Bas_ were all persons easy of identification, and the details are scenes exactly reproduced from contemporary life.[119] The hideous cult of evil yet endures. Satanists yet celebrate the black mass in London, Brighton, Paris, Lyons, Bruges, Berlin, Milan, and alas! in Rome itself. Both South America and Canada are thus polluted. In many a town, both great and small, they have their dens of blasphemy and evil where they congregate unsuspected to perform these execrable rites. Often they seem to concentrate their vile energies in the quiet cathedral cities of England, France, Italy, in vain endeavour to disturb the ancient homes of peace with the foul brabble of devil-worship and all ill. They have even been brought upon the public stage. One episode of _Un Soir de Folie_, the revue (1925-6) at the Folies Bergère, Paris, was “Le Sabbat et la Herse Infernale,” where in a Gothic cathedral an actor (Mons. Benglia) appeared as Satan receiving the adoration of his devotees.