At the more frequented Sabbats the ritual of Holy Mass was elaborately burlesqued in almost every detail. An altar was erected with four supports, sometimes under a sheltering tree, at others upon a flat rock, or some naturally convenient place, “auprès d’vn arbre, ou parfois auprès d’vn rocher, dressant quelque forme d’autel sur des colonés infernales,” says De Lancre.[120] In more recent times and to-day when the black mass is celebrated in houses such an altar is often permanent and therefore the infernal sanctuary can be builded with a display of the full symbolism of the hideous cult of evil. The altar was covered with the three linen cloths the ritual enjoins, and upon it were six black candles in the midst of which they placed a crucifix inverted, or an image of the Devil. Sometimes the Devil himself occupied this central position, standing erect, or seated on some kind of monstrous throne. In 1598, at a celebrated witch-trial before the Parliament of Bordeaux with the Vicar-general of the Bishop of Limoges and a learned councillor Peyrat as assessors, Antoine Dumons of Saint-Laurent confessed that he had frequently provided a large number of candles for the Sabbat, both wax lights to be distributed among those present and the large black tapers for the altar. These were lit by Pierre Aupetit, who held a sacristan’s reed, and apparently officiated as Master of the Ceremonies when he was not actually himself saying the Mass.[121] In May, 1895, when the legal representatives of the Borghese family visited the Palazzo Borghese, which had been rented for some time in separate floors or suites, they found some difficulty in obtaining admission to certain apartments on the first floor, the occupant of which seemed unaware that the lease was about to expire. By virtue of the terms of the agreement, however, he was obliged to allow them to inspect the premises to see if any structural repairs or alterations were necessary, as Prince Scipione Borghese, who was about to be married, intended immediately to take up his residence in the ancestral home with his bride. One door the tenant obstinately refused to unlock, and when pressed he betrayed the greatest confusion. The agents finally pointed out that they were within their rights to employ actual force, and that if access was longer denied they would not hesitate to do so forthwith. When the keys had been produced, the cause of the reluctance was soon plain. The room within was inscribed with the words _Templum Palladicum_. The walls were hung all round from ceiling to floor with heavy curtains of silk damask, scarlet and black, excluding the light; at the further end there stretched a large tapestry upon which was woven in more than life-size a figure of Lucifer, colossal, triumphant, dominating the whole. Exactly beneath an altar had been built, amply furnished for the liturgy of hell: candles, vessels, rituals, missal, nothing was lacking.