The history of witchcraft and demonologySummers, Montague
History
The history of witchcraft and demonology
Summers, Montague
Demonology; Demonology -- History; Witchcraft; Witchcraft -- History
It seems not at all improbable that Heywood had written a topical play
in 1612 dealing with this first sensational prosecution, and that when
practically the same events repeated themselves in the same place less
than a quarter of a century after he and the ever-ready Brome fashioned
anew the old scenes. In the character of the honourable country-gentleman
Master Generous, whose wife is discovered to be guilty of Witchcraft,
there is something truly noble, and his tender forgiveness of her crime
when she repents is touched with the loving pathos that informs _A
Woman Kilde with Kindnesse_, whilst his agony at her subsequent relapse
is very real, although Heywood has wisely refrained from any attempt
to show a broken heart save by a few quite simple but poignant words.
The play as a whole is a faithful picture of country life, homely
enough, yet not without a certain winsome beauty. The comic episodes
are sufficiently broad in their humour; we have a household turned
topsy-turvy by enchantment, a wedding-breakfast bewitched: the kitchen
invaded by snakes, bats, frogs, beetles, and hornets, whilst to cap all
the unfortunate bridegroom is rendered impotent. In Act II we have the
incident of a Boy with a switch (young Edmund Robinson) and the two
greyhounds. Gammer Dickison carries him off against his will “to a brave
feast,” where we see the witches pulling ropes for food:
Pul for the poultry, foule and fish,
For emptie shall not be a dish.
In Act V the Boy tells Doughty the story of his encounter with the Devil:
“He came to thee like a boy, thou sayest, about thine owne bisnesse?”
they ask him, and the whole scene meticulously follows the detailed
evidence given before the judge at Lancaster. Of the witches, Goody
Dickison, Mal Spencer, Mother Hargrave, Granny Johnson, Meg, Mawd, are
actual individuals who were accused by Robinson; Mrs. Generous alone
is the poet’s fiction. When Robin, the blunt serving-man, refuses to
saddle the grey gelding she shakes a bridle over his head and using
him as a horse makes him carry her to the satanical assembly. There is
a mill, which is haunted by spirits in the shape of cats, and here a
soldier undertakes to watch. For two nights he is undisturbed, but on
the third “_Enter_ Mrs. Generous, Mal, _all the_ Witches and _their
Spirits_ (_at severall dores_).” “_The_ Spirits _come about him with a
dreadfull noise_,” but he beats them thence with his sword, lopping off
a tabby’s paw in the hurly-burly. In the morning a hand is found, white
and shapely, with jewels on the fingers. These Generous recognizes as
being his wife’s rings, and Mrs. Generous, who is in bed ill, is found to
have one hand cut off at the wrist. This seals her fate. All the witches
are dragged in and in spite of their charms and bug-words are identified
by several witnesses including the boy who “saw them all in the barne
together, and many more, at their feast and witchery.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account