The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
This passage fully characterizes Dick's activity, which lasted from the
fifties until his death, in 1893. He was not a man of deep learning, and
did not produce any masterpieces, such as the other writers of the time
were printing in the South. But he atoned for this by his great
earnestness and good common sense, which led him to choose the best
subjects for his stories, such as would be of the most immediate good
for his humble readers. He translated or imitated the leading popular
books of his time, not limiting himself to such as were taken out of
Jewish life, but independently of their religious tenor. Among his
translations we find the works of Bernstein, Campe, Beecher-Stowe; there
are imitations of Danish, French, Polish, and Russian books; and many
subjects, not easily traceable now, have been suggested to him by other
literatures. He has also written many stories taken from the life of the
Lithuanian Jews. He ascribes great importance to biographies, devoting
several introductions to impress the necessity of reading these. But he
treats just as frequently geographical and historical themes; among the
latter he has even dared to give an impartial discussion of the
Reformation.
At first Dick's books were small 16mos of rarely more than forty-eight
pages, and up to the year 1871 the abbreviation AMD, for his name,
occurs but twice. After that all his works bear the initials, or even
the name in full. The small size of the books is due to his desire to
make them accessible to the poorest of his race; this necessitated a
retrenchment of nearly all the works which he translated. Only in the
eighties, when reading had become universal and more expensive works
could be published, did he issue octavos of considerable thickness, some
of them being four-volumed books. Dick had no talent as a writer, and
his style is but a weak reflection of the originals which he translated.
The language he uses is a frightful mixture of Judeo-German with German,
the latter frequently predominating over the first, so that he is often
obliged to give in parentheses the explanation of unusual words. And so
it happened that, although his purpose had been a good one, and his
influence had at first been salutary on a very large circle of readers,
he has set a bad example to a large host of scribblers who have taken
all imaginable liberties with the language and the subjects they treated
of, and have produced a flood of bastard literature under which the many
better productions are entirely drowned. He has destroyed all feeling
for a proper diction, and has cultivated only a passion for reading, so
that it was necessary for his followers to write 'ein höchst
interessanter Roman' on the title-page, and parade the book with crumbs
of German words unintelligible to the public, in order to find a ready
sale.
Public-domain text, read in full here on John Shaqi.
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