The History of Yiddish Literature in the Nineteenth Century — John Shaqi
The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
The spelling has remained more or less traditional, and though
it becomes finally phonetic, it seems to ascribe to the vowels the
values nearest to those of the mother-language and current in certain
varieties of the Lithuanian group. From this it may be assumed that the
Polish and southern Russian varieties have developed from the
Lithuanian, which probably bears some relation to the historical
migrations into those parts of the quondam Polish kingdom, and this is
made the more plausible from the fact that the vowel changes are
frequently in exact correspondence with the changes in the White
Russian, Polish, and Little Russian. Such a phenomenon of parallelism is
found also in other languages, and in our case may be explained by the
unconscious changes of the Germanic vowels simultaneously with those in
the Slavic words which, having been naturalized in Judeo-German, were
heard and used differently in the new surroundings.
However it may be, the language of the Judeo-German books in the
sixteenth, seventeenth, and eighteenth centuries is subject to but
slight variations. It is true, the Blitz Bible printed in Amsterdam in
1676 seems to deviate greatly from other similar works, and the uncouth
compound which is found there does, indeed, have all appearances of a
Jargon. It owes its origin to the Polish Jews who but a few years before
had been exiled from more than two hundred and fifty towns[16] and who,
having settled in Holland, began to modify their Judeo-German by
introducing Dutch into it. Although the Bible was intended for Polish
Jews, as is evident by the letters-patent granted by John the Third of
Poland, yet it has never exerted any influence on the dialects in Russia
and Poland, for not one word of Dutch origin can be found in them. This
older stage of the language is even now familiar to the Russian Jewish
women through the 'Zeena Ureena,' the prayer book, and the special
prayers which they recite in Judeo-German, and Jewish writers have
recourse to it whenever they wish to express a prayer, as, for example,
in Abramowitsch's 'Hymns' and 'Saturday Prayers.' This older stage is
known under the name of _Iwre-teutsch_, _Korben-ssider-teutsch_,
_Tchines-teutsch_, thus indicating its proper sphere in lithurgical
works. This form of the language is comparatively free from Hebrew
words.[17] On the other hand, Cabbalistic works become almost unreadable
on account of the prevalence of Semitic over German words.[18]
Public-domain text, read in full here on John Shaqi.
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