The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
In spite of the brilliant evolution of Judeo-German literature in the
last fifty years, the older ethical works of the preceding period
continue in power and are reprinted from time to time, mostly in the
printing offices at Warsaw and Lublin. Among these we find a large
number of biographies of famous Rabbis, testamentary instructions of
wise men, essays on charity, faith, and other virtues, and an endless
mass of commentaries on the Bible and other religious books. Most of
these are translations from the Hebrew. Of late there have also begun to
appear treatises on moral subjects written specially in the vernacular.
We have had occasion to mention the works of Zweifel. There have also
been written sermons of a more pretentious character in Judeo-German,
and even the missionaries have used the dialect for the purpose of
making propaganda among them: the first to attempt this were the English
missionaries, the last have been emissaries from the Greek Church. Of
course these have had no influence of any kind on the minds of the
people. One of the most fruitful branches of the liturgical literature
has been the Tchines, or Prayers. They are intended for women, and there
is a vast variety of them for every occasion in life. Some of the older
ones are quite poetical, being translations or imitations of good
models. But many of the newer ones have been manufactured without rhyme
or reason by young scholars in the Rabbinical seminaries of Wilna and
Zhitomir. These were frequently in sore straits for a living, and
knowing the proneness of women to purchase new, tearful prayers, have
composed them to their tastes. They have hardly any merit, except as
they form a sad chapter in the sad lives of Russian Jewish women. The
old story-books and the prayers have been almost the only consolation
they have had in their lives fraught with woe.
Public-domain text, read in full here on John Shaqi.
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