The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
Although the voice of the Precentor is now different, yet the words
which he says, and the tune which he sings, are the same, precisely the
same, not a bit changed.
And the tears are the same that flow to-day in streams there behind the
curtained windows in the woman's gallery, though from other eyes they
flow, from other tortured hearts....
On the same spot where thirty years ago the unfortunate mother had been
standing and mourning her beloved daughter who had departed so young
from this world, there is to-day also standing a mother and dissolving
her heart in hot tears. She is bewailing and lamenting her beautiful
daughter who had once been her blessing, a girl, as pure as gold, who
had been misled as if by witchery, and of whom it would be hard and
bitter to say what she is doing now; and the ever-true mother prays now
with tears, as hot as fire, not for health, not for long years for her
child, but for quick death, which would be better for the child even
than for the mother.
She still harbors her mother's truth in her heart, even as before the
calamity had happened.... For that very reason she prays to God so
fervently to grant death to her child. She sees no better thing in the
world, and she can ask for no better thing to-day of the living God.
nit betten. Un' es giessen sich ihre Trähren still un' fallen über
die Wörter vun ihre Tchines; sie halt dem Kopp in Ssider
eingegrāben un' schämt sich ihre Äugen arauszunehmen, tomer
begegnen see sich mit Äugen, wās wöllen ihr Schand' dersehn, wās
is' wie a Fleck auf ihr Ponim gewor'en....
Un' punkt dort, wu die āreme Almone is' gestan'en mit dreissig Jāhr
zurück un' hāt minutenweis gekuckt, ihre Jessomim in Schul zu sehn,
ōb see dawnen, ōb see nehmen a jüdisch Wort in Maul arein, un' hāt
gechlipet wēinendig, as ihre Äugen hāben nit gefun'en, wās see
hāben gesucht, stēht heunt a jüdische Tochter un' kuckt durch dās
Vorhangel, un' sie wēiss allēin nit, auf wemen sie kuckt mehr, zi
auf ihr Mann, wās macht wilde Bewegungen mit bēide Händ' un' mit
sein ganzen Körper, oder auf dem jungen Menschen, wās sitzt äuch in
Misrach-wand nit weit vun ihm un' dawent wie a Jüd' un' sitzt ruhig
wie a Mensch.
* * * * *
Public-domain text, read in full here on John Shaqi.
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