The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
It is not difficult to discern a number of distinct strata in the many
folk-tales that are current now, even though the motives from various
periods may be found hopelessly intertwined in one and the same story.
The oldest of these may be conveniently called the Talmudical
substratum, as in those older writings the prototypes of them can be
found. Of course, these in their turn are of a composite nature
themselves, but that need not disconcert us in our present investigation
as long as the resemblance is greater to the stories in the Talmud than
to the originals from which that collection has itself drawn its
information. There is a large variety of subjects that must be
classified in that category. Here belong a number of animal fables, of
stories of strange beasts, much imaginary geography, but especially a
vast number of apocryphal Bible stories.[25] One of the most
interesting series of that class is the one that comprises tales of the
river Sambation.[26] This river has rarely been discovered by poor
mortals, although it has been the object of their lifelong quest. During
the week it throws large rocks heavenwards, and the noise of the roaring
waters is deafening. On the Sabbath the river rests from its turmoil, to
resume again its activity at its expiration. Behind the Sambation lives
the tribe of the Red Jews.
The best story of that cycle is told by Meisach. An inquisitive tailor
sets out in search of the Sambation River. Of all the Jews that he meets
he inquires the direction that he is to take thitherward; and he makes
public announcements of his urgent business at all the synagogues that
he visits. But all in vain. Three times he has already traversed the
length and the breadth of this earth, but never did he get nearer his
destination. Undaunted, he starts out once more to reach the tribe of
the Red Jews. Suddenly he arrives near that awful river. Overwhelmed by
its din, terrified at its eruptions, he falls down on the ground and
prays to the all-merciful God. It happened to be a few minutes before
the time that the river was to go to rest. The clock strikes, and, as if
by magic, the scene is changed. The tailor finds a ford, passes on the
other side, and, exhausted from his wandering, he lies down to sleep in
the grass. The tribe of men that live there are a race of giants. One of
them, noticing the intruder, takes him to be a new species of a
grasshopper, picks him up, and slips him in his spacious coat pocket. He
proceeds to the bathhouse to take his ablution, and thence to the
synagogue, leaving the tailor all the while in his pocket. The giants
begin to pray. At the end, while a pause ensues, the pious tailor
unconsciously exclaims 'Amen!' Astonished to hear that mysterious voice,
the giant brings the tailor to light and showers many signs of respect
upon him, for even the giants know how to honor a pious man. The tailor
liked it there so much that he never returned to his native home.
Public-domain text, read in full here on John Shaqi.
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