The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
Two of his earliest poems are devoted to decrying the evil custom of
early marriages, in which the tastes of the contracting parties are not
at all considered. In the one entitled 'From the Marriage Baldachin,' he
paints in vivid colors the course of the married life of a Jew from the
wedding feast through the worries of an ever-increasing family, and the
helplessness of the father to provide for his children, with the
consequent breaking up of the family ties. The catching tune to which
the poem is sung, and all folksongs are naturally set to music,
generally by the authors themselves, and the lifelike picture which it
portrays, have done a great deal to diminish the practice; while the
other, 'My Advice,' addressed to a girl, advising her to exercise her
own free will and reasonable choice of her life's companion, has helped
to eliminate misery and to introduce the element of love in the marital
stage.
In his advocacy of reform, Gordon had in mind the clearing of the Jewish
religion from the accumulated superstitions of the ages which had almost
stifled its virgin simplicity, not an abandonment of any of its
fundamental principles in the ardent desire for assimilation. True
culture is, according to him, compatible with true piety, and a surface
culture, with its accompanying slackness of religious life, is
reprehensible. When he saw that so many had misunderstood the precepts
of those who taught a closer union with the Gentiles in that they
adopted the mere appearances of the foreign civilization and overthrew
the essential virtues of their own faith, he expressed his indignation
in 'The True Education and the False Education,' of which the final
stanza is:
True culture makes good and mild,
False culture makes bad and wild.
The truly-cultured is a fine man,
The falsely-cultured is a charlatan.
Gordon has also written a ballad, 'The Stepmother,' which has given rise
to a large number of popular imitations. In this he tells of a mother
whose rest in the grave is disturbed by the tears of her child. Upon
learning that the child has been maltreated by his stepmother, she sends
up her voice to God, interceding in her son's behalf, and then addresses
herself to her weeping child, assuring him that God has heard her
prayer.
Public-domain text, read in full here on John Shaqi.
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