The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author — John Shaqi
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and authorWyatt, M. Digby (Matthew Digby), Sir
History
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author
Wyatt, M. Digby (Matthew Digby), Sir
Alphabet; Illumination of books and manuscripts; Initials
How deeply must all lovers of illumination regret the infinite destruction
of books that has prevailed in all ages! Of all this "librorum copiam," how
few survive. Even in the days of Alfred the Great, the Danes had destroyed
the majority of them; for, as that great royal Bibliomaniac exclaims, in
his preface to the "Pastoral of Gregory,"--"I saw, before _all_ were
spoiled and burnt, how the churches throughout Britain were filled with
treasures and books."
I now leave our own country for a while, and return to the general
continent of Europe; having, I trust, satisfactorily established the
individuality of those three great styles of illumination, from the fusion
of which the Romanesque, and ultimately the Mediæval, system sprang,--viz.,
the Roman, or pictorial; the Greek, or golden; and the Hiberno-Saxon, or
intricate. The commencement of that fusion has been traced in the later
Anglo-Saxon work, and it now remains to observe the circumstances under
which a similar, and even more marked, amalgamation took place on the
continent, under the auspices of Charlemagne, the greatest patron of the
art who ever lived.
Much has been assumed by early Palæographers, and even some recent ones,
with respect to the influence exercised by the Lombard MSS. executed
between the establishment of the Lombard kingdom in the year 568, and its
absorption A.D. 774, in the empire of Charlemagne, on the class of
illumination introduced under his auspices; but the specimens which have
descended to these days exhibit such an entire decrepitude of style, as to
justify the belief that, with the exception of a peculiar broken-backed
letter, known as "Lombard brisé," the Lombards themselves contributed
little or nothing to the results which attended the efforts made by that
great sovereign to raise the art of book-decoration in his day to its
highest pitch. It was mainly by the aid, and through the direct
instrumentality, of the learned Anglo-Saxon, Alcuin, that Charlemagne
carried out his laudable design. This industrious ecclesiastic, who was
born in the year 735, received his education under Egbert and Elbert,
successive archbishops of the see of York,--having been appointed at an
early age "custodian" to the library collected by the former. On the death
of Elbert, he was sent to Rome to receive the pallium of investiture for
the new archbishop Enbalde. On his journey home, in 780, he passed through
Parma, where Charlemagne happened to be at the time. The consequence of
their meeting in that city was, that Alcuin received and accepted an
invitation to take up his residence at the court of the Frankish sovereign.
During four-and-twenty years, until his death, indeed, in 804, he retained
the affection and respect of his royal patron, and occupied himself in
incessant labour for the advancement of learning, and the multiplication of
pure texts of the Holy Scriptures and other good books. Several of Alcuin's
Public-domain text, read in full here on John Shaqi.
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