The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and authorWyatt, M. Digby (Matthew Digby), Sir
History
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author
Wyatt, M. Digby (Matthew Digby), Sir
Alphabet; Illumination of books and manuscripts; Initials
The principal volumes still preserved, once belonging to the grandsons of
Charlemagne, appear less original in several respects, than do those
executed for his sons. Thus, in the case of Louis le Debonnaire's eldest
son Lothaire, whose Gospels, written and decorated at the Abbey of St.
Martin, at Tours, exhibit a mixed Latin and Saxon style, with but little
specifically Frankish work,--and thus also in the person of Lothaire's
youngest brother, Charles the Bald, whose two celebrated Bibles, the one
known as the Bible of St. Denis, and the other as that presented to the
monarch by Count Vivien, abbot of the same monastery at which the Gospels
of Lothaire were executed,--illustrate a similar composite, but scarcely
original, style. The former manuscript is illuminated with intertwined
lacertine monsters, knotwork, single (but not the three-whorl) spirals, and
rows of red dots following many of the leading outlines, all of which may
be regarded as distinctive features of the Hiberno-Saxon school; while the
latter, with several of the above peculiarities freely introduced, combines
an unmistakable classicality, shown in the various figure-subjects, and
especially in the arcading which encloses the Eusebian Canons at the
commencement of the volume.
The British Museum is fortunate in possessing in the Harleian MS.--No.
7551--a curious collection of ancient Biblical fragments, and amongst these
are a few pages taken from a Bible executed for Charles the Bald. From
these Mr. Tymms has selected the elegant Alphabets, initial letters, and
ornaments which are to be found in plates 1, 2, and 3, of this manual. In
these the student will not fail to recognize what he may have already
observed in studying the specimens given from the Charlemagne Bible
(Technical manual, plates 1, 2, and 3), that while the form of the text and
the ornamental borderings are founded on antique models, the initial
letters scarcely ever fail to exhibit in their Celtic animals' heads and
interlaced strap-work the influence of Alcuin and the Saxon scribes.
We can feel but little surprise at the production of such works at the
Abbey of St. Martin, at Tours, for it was within the walls of that
"Paradise," as Alcuin calls it, that the Saxon sage gave all the latter
years of his life to the recension of the Holy Scriptures,[55] and to the
organization of a "scriptorium" worthy of his affectionate patron.
Public-domain text, read in full here on John Shaqi.
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