The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and authorWyatt, M. Digby (Matthew Digby), Sir
History
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author
Wyatt, M. Digby (Matthew Digby), Sir
Alphabet; Illumination of books and manuscripts; Initials
Illumination on plaster may be executed either in distemper, if the walls
or ceiling have been sized only, or in oil if they have been brought
forward in oil-colours. The former is the most rapid, but least durable
process. Hence decoration is usually applied in oil to walls which are
liable to be rubbed and brushed against, and in distemper, to ceilings,
which are, comparatively speaking, out of harm's way. Very pretty
decorations on plaster may be executed by combining hand-worked
illumination with diapered or other paper-hangings. Thus, for instance,
taking one side of a room, say about eleven feet high, to the under-side of
the plaster cornice, mark off about a foot in depth on the wall from the
bottom of the cornice, set out the width of the wall into three or more
panels, dividing the panels by upright pilasters of the same width as the
depth of the top border. At the height of about four feet from the ground
mark off the top edge of another horizontal band, which make also one foot
deep; continue on the lines of the pilasters to within six inches of the
top of the skirting, and draw in a horizontal border, six inches high,
running all round upon the top edge of the skirting: then paint, in a plain
colour, a margin, three or four inches wide, all round the panels formed by
the bands and pilasters, and let the paper-hanger fill in the panels with
any pretty diapered paper which may agree with the style and colour in
which you may desire to work your illumination. The side of your room will
then present two horizontal lines--one next the cornice, and one at about
dado-height, suitable for the reception of illuminated inscriptions. In
setting these out, care must be taken to bring a capital letter into a line
with the centre of each pilaster, so that a foliated ornament, descending
from the upper inscription, and ascending from the lower one, may meet and
intertwine on the pilasters, forming panelled compartments for the
introduction of subjects, if thought desirable.[99]
Public-domain text, read in full here on John Shaqi.
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