The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and authorWyatt, M. Digby (Matthew Digby), Sir
History
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author
Wyatt, M. Digby (Matthew Digby), Sir
Alphabet; Illumination of books and manuscripts; Initials
It is by no means necessary for the sides of these pilasters, or the
bounding lines of the bands containing inscriptions, to be kept straight;
they may be varied at pleasure, so long as they are kept symmetrical in
corresponding parts, and uniformly filled up with foliation emanating from,
or connected with, the illuminated letters. Agreeable results may be
produced by variations of such arrangements as the one suggested.
Frequently round doors, windows, fireplaces, &c., inscriptions may be
executed with very good effect, either on label-scrolls or simple borders,
and with greater or less brilliancy of colour, according to the
circumstances of the case. Often simplicity and quiet have greater charms
than glitter or brilliancy; thus black and red, on a light-coloured ground,
the most primitive combination in the history of writing, is always sure to
produce an agreeable impression: blue, crimson, or marone on gold, or _vice
versâ_, are no less safe: black, white, and gold, counterchanged, can
hardly go wrong.
Few amateurs will be likely to attempt illuminations upon plaster ceilings,
owing to the great difficulty they will experience in working overhead with
a steady hand. They will generally do wisely--to execute the principal
portions on paper, tracing-paper, or canvas,--to fasten them up, as will be
hereafter directed,--and to confine the decoration actually painted on the
ceiling, to a few panels, lines, or plain bands of colour, which may be
readily executed by any clever house-painter or grainer, even if altogether
ignorant of drawing and the art of design. The most beautiful illuminated
ceiling of mediæval times I believe to be that of the chapel in the
celebrated Jacques Coeur's house, at Bourges, in France. It is vaulted, and
each compartment contains inscribed labels held by floating angels. The
white draperies of the angels are relieved on a delicate blue ground only,
so that the stronger contrast of the black writing on the white labels
gives a marked predominance to the inscriptions; which, being arranged
symmetrically, produce in combination agreeable geometrical figures.
Public-domain text, read in full here on John Shaqi.
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