The Hittites : $b The story of a forgotten empireSayce, A. H. (Archibald Henry)
History
The Hittites : $b The story of a forgotten empire
Sayce, A. H. (Archibald Henry)
Hittites
A beginning has already been made. Within a month after my Paper had
been read before the Society of Biblical Archæology, which announced the
discovery of a Hittite empire and the connection of the curious art of
Asia Minor with that of Carchemish, I had fallen across a bilingual
inscription in Hittite and cuneiform characters. This was on the silver
boss of King Tarkondêmos, the only key yet found to the interpretation
of the Hittite texts.
[Illustration: THE BILINGUAL BOSS OF TARKONDEMOS.]
The story of the boss is a strange one. It was purchased many years ago
at Smyrna by M. Alexander Jovanoff, a well-known numismatist of
Constantinople, who showed it to the Oriental scholar Dr. A. D.
Mordtmann. Dr. Mordtmann made a copy of it, and found it to be a round
silver plate, probably the head of a dagger or dirk, round the rim of
which ran a cuneiform inscription. Within, occupying the central field,
was the figure of a warrior in a new and unknown style of art. He stood
erect, holding a spear in the right hand, and pressing the left against
his breast. He was clothed in a tunic, over which a fringed cloak was
thrown; a close-fitting cap was on the head, and boots with upturned
ends on the feet, the upper part of the legs being bare, while a dirk
was fastened in the belt. On either side of the figure was a series of
'symbols,' the series on each side being the same, except that on the
right side the upper 'symbols' were smaller, and the lower 'symbols'
larger than the corresponding ones on the left side.
In an article published some years later on the cuneiform inscriptions
of Van, Dr. Mordtmann referred to the boss, and it was his description
of the figure in the centre of it which arrested my attention. I saw at
once that the figure must be in the style of art I had just determined
to be Hittite, and I guessed that the 'symbols' which accompanied it
would turn out to be Hittite hieroglyphs. Dr. Mordtmann stated that he
had given a copy of the boss in 1862 in the 'Numismatic Journal which
appears in Hanover.' After a long and troublesome search I found that
the publication meant by him was not a Journal at all, and had appeared
at Leipzig, not at Hanover, in 1863, not in 1862. The copy of the boss
contained in it showed that I was right in believing Dr. Mordtmann's
'symbols' to be Hittite characters.
It now became necessary to know how far the copy was correct, and to
ascertain whether the original were still in existence. A reply soon
came from the British Museum. The boss had once been offered to the
Museum for sale, but rejected, as nothing like it had ever been seen
before, and it was therefore suspected of being a forgery. Before its
rejection, however, an electrotype had been taken of it, an impression
of which was now sent to me.
Public-domain text, read in full here on John Shaqi.
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