American essays -- 20th century; Child development; Children; Education
There were long days in the woods--spring quickening life in all
things. We'd gather moss and violets and talk endlessly, Esther
always so free these memorable days, and happy. It was the dance
that set her free--her expression through the dance--a dancer's
body and soul, her wonderful quality of forgetfulness of self, made
her perfect. Literally she could surrender herself to the music,
trust it, and be carried in perfect grace and rhythm. We watched
her unfold, the beauty of her deepening in every way. Her joy in
life grew. She became like a nymph in the pure light of summer....
* * * * *
As was set down in the other book,[17] it was the Little Girl who
started these educational proceedings. Less than four years ago I
suggested that she remain home from school, and take a stroll with me
down the Shore. I was a bit bored at the time, doubtless heavy with
the sense of parental care. To my best knowledge, the Little Girl was
in no way extraordinary. She does not seem so now. It seemed natural
for her to turn in the chapter on "Tom" in this book. I did not think
of it as a brimming thing for a child to perform. Incidentally Steve
brought in an essay last night on the young lovers and beauty lovers of
the New Race, covering matters which I planned as necessary for me to
do in this book. _Weaving_, that's really what a book from the group
amounts to--weaving, more and more. From time to time in years to come,
I hope to take a few weeks and spin a book.
[17] Child and Country.
* * * * *
It is only in matters having to do with actual world-facts that the
Little Girl ever reminds us that she is only finishing her second
period of sevens. There is no one to whom I go more often for wisdom or
consolation. Her comradeship is complete. Others forget the matter of
age in relation to her. Her big friendship with the Valley Road Girl
overrides four years of growth most formidable in the usual attachment.
The soul is out of time and space. The same thing is more emphatically
shown in the case of John and The Abbot--nine and seventeen.
Public-domain text, read in full here on John Shaqi.
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