Adventure stories; Boys -- Fiction; East End (London, England) -- Fiction; Grandfathers -- Fiction; London (England) -- Fiction
And so, after a dive down a narrower street than any we had yet
traversed (it could scarce be dirtier), and a twist through a steep and
serpentine alley, we came, as it grew dusk, to the Hole in the Wall. Of
odd-looking riverside inns I can remember plenty, but never, before or
since, have I beheld an odder than this of Grandfather Nat's. It was
wooden and clap-boarded, and, like others of its sort, it was everywhere
larger at top than at bottom. But the Hole in the Wall was not only
top-heavy, but also most alarmingly lopsided. By its side, and half
under it, lay a narrow passage, through which one saw a strip of the
river and its many craft, and the passage ended in Hole-in-the-Wall
Stairs. All of the house that was above the ground floor on this side
rested on a row of posts, which stood near the middle of the passage;
and the burden of these posts, twisted, wavy, bulging, and shapeless,
hung still more toward the opposite building; while the farther side,
bounded by a later brick house, was vertical, as though a great wedge,
point downward, had been cut away to permit the rise of the newer wall.
And the effect was as of a reeling and toppling of the whole
construction away from its neighbour, and an imminent downfall into the
passage. And when, later, I examined the side looking across the river,
supported on piles, and bulging and toppling over them also, I decided
that what kept the Hole in the Wall from crashing into the passage was
nothing but its countervailing inclination to tumble into the river.
Painted large over the boards of the front, whose lapped edges gave the
letters ragged outlines, were the words THE HOLE IN THE WALL; and below,
a little smaller, NATHANIEL KEMP. I felt a certain pride, I think, in
the importance thus given the family name, and my esteem of my
grandfather increased proportionably with the size of the letters.
There was a great noise within, and Grandfather Nat, with a quick look
toward the entrance, grunted angrily. But we passed up the passage and
entered by a private door under the posts. This door opened directly
into the bar parlour, the floor whereof was two steps below the level of
the outer paving; and the size whereof was about thrice that of a
sentry-box.
The din of a quarrel and a scuffle came from the bar, and my
grandfather, thrusting me into a corner, and giving me his hat, ran out
with a roar like that of a wild beast. At the sound the quarrel hushed
in its height. "What's this?" my grandfather blared, with a thump on the
counter that made the pots jump. "What sort of a row's this in my house?
Damme, I'll break y' in halves, every mother's son of ye!"
I peeped through the glass partition, and saw, first, the back of the
potman's head (for the bar-floor took another drop) and beyond that and
the row of beer-pulls, a group of rough, hulking men, one with blood on
his face, and all with an odd look of sulky guilt.
Public-domain text, read in full here on John Shaqi.
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