Adventure stories; Boys -- Fiction; East End (London, England) -- Fiction; Grandfathers -- Fiction; London (England) -- Fiction
"You--you--hurt the man's ear," I said, with a choke and a sniff; for
till then Grandfather Nat had seemed to me the kindest man in the world.
Grandfather Nat looked mightily astonished. He left his shirt-sleeve
where it was, and thrust his fingers up in his hair behind, through the
grey and out at the brown on top. "What?" he said. "Hurt 'im? Hurt 'im?
Why, s'pose I did? He ain't a friend o' yours, is he, young 'un?"
I shook my head and blinked. There was a gleam of amusement in my
grandfather's grim face as he sat in a chair and took me between his
knees. "Hurt 'im?" he repeated. "Why, Lord love ye, _I'd_ get hurt if I
didn't hurt some of 'em, now an' then. They're a rough lot--a bitter bad
lot round here, an' it's hurt or be hurt with them, Stevy. I got to
frighten 'em, my boy--an' I do it, too."
I was passing my fingers to and fro in the matted hair on my
grandfather's arm, and thinking. He seemed a very terrible man now, and
perhaps something of a hero; for, young as I was, I was a boy. So
presently I said, "Did you ever kill a man, Gran'fa' Nat?"
CHAPTER IV
STEPHEN'S TALE
Many small matters of my first few hours at the Hole in the Wall were
impressed on me by later events. In particular I remember the innocent
curiosity with which I asked: "Did you ever kill a man, Gran'fa' Nat?"
There was a twitch and a frown on my grandfather's face, and he sat back
as one at a moment's disadvantage. I thought that perhaps he was trying
to remember. But he only said, gruffly, and with a quick sound like a
snort: "Very nigh killed myself once or twice, Stevy, in my time," and
rose hastily from his chair to reach a picture of a ship that was
standing on a shelf. "There," he said, "that's a new 'un, just done;
pretty picter, ain't it? An' that there," pointing to another hanging on
the wall, "that's the _Juno_, what your father's on now."
I had noticed that the walls, both of the bar and of the bar-parlour,
were plentifully hung with paintings of ships; ships becalmed, ships in
full sail, ships under bare spars; all with painful blue skies over
them, and very even-waved seas beneath; and ships in storms, with torn
sails, pursued by rumbustious piles of sooty cloud, and pelted with
lengths of scarlet lightning. I fear I should not have recognised my
father's ship without help, but that was probably because I had only
seen it, months before, lying in dock, battered and dingy, with a
confusion of casks and bales about the deck, and naked yards dangling
above; whereas in the picture (which was a mile too small for the brig)
it was booming along under a flatulent mountain of clean white sail, and
bulwarks and deck-fittings were gay with lively and diversified colour.
I said something about its being a fine ship, or a fine picture, and
that there were a lot of them.
Public-domain text, read in full here on John Shaqi.
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