“Oh!” shouted the count, pointing his revolver. “You young
vandal!—Those masterpieces!”
“Sham, Monsieur le Comte!”
“What? What’s that?” roared M. Filleul, wresting the Comte de Gesvres’s
weapon from him.
“Sham!” repeated Beautrelet. “Paper-pulp and plaster!”
“Oh, nonsense! It can’t be true!”
“Hollow plaster, I tell you! Nothing at all!”
The count stooped and picked up a sliver of a statuette.
“Look at it, Monsieur le Comte, and see for yourself: it’s plaster!
Rusty, musty, mildewed plaster, made to look like old stone—but plaster
for all that, plaster casts!—That’s all that remains of your perfect
masterpiece!—That’s what they’ve done in just a few days!-That’s what
the Sieur Charpenais who copied the Rubenses, prepared a year ago.” He
seized M. Filleul’s arm in his turn. “What do you think of it, Monsieur
le Juge d’Instruction? Isn’t it fine? Isn’t it grand? Isn’t it
gorgeous? The chapel has been removed! A whole Gothic chapel collected
stone by stone! A whole population of statues captured and replaced by
these chaps in stucco! One of the most magnificent specimens of an
incomparable artistic period confiscated! The chapel, in short, stolen!
Isn’t it immense? Ah, Monsieur le Juge d’Instruction, what a genius the
man is!”
“You’re allowing yourself to be carried away, M. Beautrelet.”
“One can’t be carried away too much, monsieur, when one has to do with
people like that. Everything above the average deserves our admiration.
And this man soars above everything. There is in his flight a wealth of
imagination, a force and power, a skill and freedom that send a thrill
through me!”
“Pity he’s dead,” said M. Filleul, with a grin. “He’d have ended by
stealing the towers of Notre-Dame.”
Isidore shrugged his shoulders:
“Don’t laugh, monsieur. He upsets you, dead though he may be.”
“I don’t say not, I don’t say not, M. Beautrelet, I confess that I feel
a certain excitement now that I am about to set eyes on him—unless,
indeed, his friends have taken away the body.”
“And always admitting,” observed the Comte de Gesvres, “that it was
really he who was wounded by my poor niece.”
“It was he, beyond a doubt, Monsieur le Comte,” declared Beautrelet;
“it was he, believe me, who fell in the ruins under the shot fired by
Mlle. de Saint-Véran; it was he whom she saw rise and who fell again
and dragged himself toward the cloisters to rise again for the last
time—this by a miracle which I will explain to you presently—to rise
again for the last time and reach this stone shelter—which was to be
his tomb.”
And Beautrelet struck the threshold of the chapel with his stick.
“Eh? What?” cried M. Filleul, taken aback. “His tomb?—Do you think that
that impenetrable hiding-place—”
“It was here—there,” he repeated.
“But we searched it.”
“Badly.”
“There is no hiding-place here,” protested M. de Gesvres. “I know the
chapel.”
Public-domain text, read in full here on John Shaqi.
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