We have been much given to the display of fabricated materials,--of the products of looms, lathes, foundries, and many factories of skill. We also exhibit the agricultural produce, but largely in a crass and rude way to display bulk and to win prizes. We now begin to arrange our exhibitions for color effect, comparison, and educational influence. But we do not justly understand the natural products when we confine them to formal exhibitions. They must be incorporated into many celebrations, expressing therein the earth's bounty and our appreciation of it. The usual and common products, domesticated and wild, should be gathered in these occasions, and not for competition or for prize awards or even for display, but for their intrinsic qualities. An apple day or an apple sabbath would teach the people to express their gratitude for apples. The moral obligation to grow good apples, to handle them honestly, to treat the soil and the trees fairly and reverently, could be developed as a living practical philosophy into the working-days of an apple-growing people. The technical knowledge we now possess requires the moral support of a stimulated public appreciation to make it a thoroughly effective force. Many of the products and crops lend themselves well to this kind of admiration, and all of them should awaken gratitude and reverence. Sermons and teaching may issue from them. Nor is it necessary that this gratitude be expressed only in collected materials, or that all preaching and all teaching shall be indoors. The best understanding of our relations to the earth will be possible when we learn how to apply our devotions in the open places. _The keeping of the beautiful earth_ The proper care-taking of the earth lies not alone in maintaining its fertility or in safeguarding its products. The lines of beauty that appeal to the eye and the charm that satisfies the five senses are in our keeping. The natural landscape is always interesting and it is satisfying. The physical universe is the source of art. We know no other form and color than that which we see in nature or derive from it. If art is true to its theme, it is one expression of morals. If it is a moral obligation to express the art-sense in painting and sculpture and literature and music, so is it an equal obligation to express it in good landscape. Of the first importance is it that the race keep its artistic backgrounds, and not alone for the few who may travel far and near and who may pause deliberately, but also for those more numerous folk who must remain with the daily toil and catch the far look only as they labor. To put the best expression of any landscape into the consciousness of one's day's work is more to be desired than much riches. When we complete our conquest, there will be no unseemly landscapes.