Frauds such as these force upon every visitor the question how far the
Mohammedans themselves believe them. The utter want of earnestness, or
anything that to a Western mind bears the resemblance of reality, is
painfully evident in the attendants who guide you through the mosque.
You are forced to respect its sacredness by purchasing the loan of
slippers to cover your boots, and you feel rather like one entering a
circus than a place of worship, when you have been transformed into an
illuminated caricature by means of one yellow and another red slipper.
Your guide, who wears the appearance of a convict in clericals, greatly
enjoys your picturesqueness, and makes haste to conduct you to a certain
jasper slab into which Mohammed drove nineteen nails of gold (which
look, however, indistinguishable from iron). A nail comes out at the end
of every epoch, and when all are gone the end of the world will come.
One day the devil destroyed all but three and a half of them, when the
Angel Gabriel, caught napping for once, stopped the mischief just in
time. Here you are invited to lay any coins you may chance to have about
you, and assured that if the coin be silver you will save your soul by
giving it. As the coins are tabled, the whole body of assistant clergy
assembles to count the collection.
All this, and much else, is but the inevitable outcome of a worship that
gathers round a stone. It is a petrified worship, hard and dead as its
sacred rock. Nothing could be more pathetic than a window in El Aksa
almost darkened with little rags of clothing hung there by poor folk who
come to pray for their sick friends. If Syrian Christianity is corrupt,
it is at least not so pitiless as Syrian Mohammedanism. The very aspect
and situation of the rival shrines is symbolic. The mosque does not
really love men, whether it really believes in God or not. It sits apart
in its wide enclosure, while the Church of the Sepulchre is huddled
indistinguishably into the thickest pressure of the life of men and
women in the city. The church seems, by its rugged and broken outline,
to sympathise with the shattered fortunes of the life around it; it is
grey and ruinous-looking, as if it had borne man’s sorrows and carried
them. The mosque, with all its beauty, seems to sit there like some
great sleek sphinx, watching everything, but sharing little and loving
none of the misery around it. In this city of ruins there is something
repellent about its smooth and self-complacent finish. No, the mosque
does not really love men; whether it really believes in itself and its
miracles or not is another of the many Mohammedan things which God only
knows.
CHAPTER V
CRUSADER
Public-domain text, read in full here on John Shaqi.
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