The villages are very brown--“dust-coloured,” as they have been happily
called. Seen from a distance they generally look inviting, but it takes
the traveller no long time to believe that a near approach will
certainly disillusionise him. They have many sorts of charm in the
distance. Some of them are set up on the edge of a hill, and these seen
from below present all the appearance of fortification, their flat roofs
and perpendicular sides giving them an angular and military aspect.
Others are surrounded by neatly walled and cultivated olive-yards which
give the promise of a well-conditioned village. In the rare instances
where trees are planted among the dwellings, the flat brown roofs seem
to nestle among the branches in delightful contentment and restfulness.
Where trees are absent there is generally a high cactus hedge, serving
as an enclosing wall, which sets the village in a pleasant green. Even
those hamlets which have about them no green of any kind are not
uninviting, especially if they are built on a hill-slope. There is a
peculiar formality and neatness given by irregular piles of flat-roofed
buildings overlapping each other at different levels. But as you
approach, all is disillusionment. The trees seem to detach themselves
and stand apart in the untidy paths. The cactus hedge is repulsive, with
its spiked pulpy masses and its bare and straggling roots. The brown
walls seem to decay before your eyes, and the village seen from within
its own street changes to a succession of ruinous heaps of débris, with
excavations into the mud of the hillside. If, as at Nain, there be a
white-walled church or mosque in the place, it seems to stand alone in a
long moraine of ruins. An acrid smell hangs upon the air, for the fuel
is dried cakes of dung. These are plastered over the walls of low ovens
into which the mud seems to swell in great blisters by the street-side.
In some of these ovens crowds of filthy children and tattooed women are
sitting, while the men loiter in idle rows along the house walls. When
suddenly you say to yourself that this is Shunem, or this Nain, or
Magdala, the disappointment is complete.
Public-domain text, read in full here on John Shaqi.
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