But it is the sea-coast towns which are the most characteristic of their
class. Tyre is a surprisingly living and wide-awake place still, and the
name recalls ever some vista of blue sea with ships seen through the
white arches or rich foliage that decorate the town’s western front.
Jaffa is still more surprising. It is usual to embark at Port Said late
in the evening, and when you wake in the morning and find the steamer at
anchor, the first sight of Palestine that greets you is Jaffa, framed in
the brass circle of the port-hole--a very perfect and brilliant little
picture. The town is set well up, a conical
[Illustration: THE FOUNTAIN OF THE VIRGIN AT NAZARETH.]
hill of sparkling colour, backed, as we first saw it, by cloudless
Syrian sky, into which it ran its two minarets. It was larger than we
had imagined, and much loftier, with a very bold and gaily tilted
edge-line--a city set on its hill, and with a mighty consciousness of
being so set, like Coventry Patmore’s old English cottage. Dark-leaved
trees, red roofs, and occasional jewel-like points of green, where
copper cupolas have been weathered, light up the picture into one of the
most ideal of its kind.
Within, the white towns shew a strange mixture of splendour and of
sordidness. The streets are aggressively irregular, and the whole
impresses one as at once ancient and unfinished. The wider spaces are
full of colour and of noise, and the houses which surround them are a
patchwork of all manner of buildings, with smaller structures leaning
against their sides, and gaudy awnings of ragged edge protecting
doorways from the sun. Where the street narrows, it is filled with
crowds of men, women, and children, and laden donkeys pushing them aside
as they pass along. There are lanes, also, in deep shadow, with
buttresses and long archways converting them into high and narrow
tunnels. The shopkeepers in these lanes sit behind their piles of
merchandise and converse in shrill voices with neighbours on the other
side, not six feet away. The whole appearance of the town is that of
close-huddled dwellings, which have squeezed themselves into as little
space as possible, and have been forced to expand upwards for want of
lateral room.
Public-domain text, read in full here on John Shaqi.
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