Electric tramways now run through Queen Square to all parts of this modern and progressive borough, and new streets and new buildings of both a business and a public character have changed the squalid and formless character of the town into something very different; while pleasant suburbs extend far into the country districts. XII At Tettenhall the borough of Wolverhampton ends, and with it the Black Country. Crossing over the Staffordshire and Worcestershire Canal, the road makes direct for Tettenhall Hill, eased in its course by a long embankment in the hollow, and by a deep cutting through the red rocks of the hill-top, but still a formidable rise. The old road, however, was infinitely worse. Its course may still be traced branching off to the left by the “Newbridge Inn,” where the old toll-house used to stand, and plunging down into the hollow where Wolverhampton’s only watercourse, the Smestow brook, trickles under a narrow bridge, thought to enshrine among its stones some remains of Roman masonry. Thence the old way rose steeply, and went partly through grounds now private, and up “Old Hill,” where a bye-road still zig-zags with an extravagant steepness between sheer rocks. Here is the chief part of old Tettenhall village, much the same as it was a hundred years ago, and, with the exception of an ugly modern hotel built on the summit of the rocks, untouched by the life and changes of all the revolutionary years that have passed since Telford cut the new road and left this in a quiet backwater of life. Tettenhall church and pretty churchyard are cut off from the rest of the village by the modern Holyhead Road. Half-way up the hillside, and overhung with trees, the old-fashioned rural spot overlooks Wolverhampton, seated in smoky majesty on its ridge. [Illustration: OLD HILL, TETTENHALL.] In the crowded churchyard they show the confiding stranger a stone with the much flattened and battered figure of a woman, and recount the legend of it being the memorial of a seamstress who worked on Sundays, and when reproached for it replied that if it were wrong she hoped her arms would drop off. Her arms dropped off accordingly the next Sunday, when plying her needle! The stone is really a much mutilated effigy from some ancient tomb, cast out of the church so long ago that every feature has been worn away; but it will be noticed that the arms have been hacked off at the shoulders. [Illustration: THE SABBATH-BREAKING SEAMSTRESS.]