India -- History -- Autonomy and independence movements -- Fiction
Nikhil suddenly stood up. "I tell you plainly, Sandip," he said,
"man may be wounded unto death, but he will not die. This is the
reason why I am ready to suffer all, knowing all, with eyes
open."
With these words he hurriedly left the room.
I was staring blankly at his retreating figure, when the sound of
a book, falling from the table, made me turn to find Bee
following him with quick, nervous steps, making a detour to avoid
passing too near me.
A curious creature, that Nikhil! He feels the danger threatening
his home, and yet why does he not turn me out? I know, he is
waiting for Bimal to give him the cue. If Bimal tells him that
their mating has been a misfit, he will bow his head and admit
that it may have been a blunder! He has not the strength of mind
to understand that to acknowledge a mistake is the greatest of
all mistakes. He is a typical example of how ideas make for
weakness. I have not seen another like him--so whimsical a
product of nature! He would hardly do as a character in a novel
or drama, to say nothing of real life.
And Bee? I am afraid her dream-life is over from today. She has
at length understood the nature of the current which is bearing
her along. Now she must either advance or retreat, open-eyed.
The chances are she will now advance a step, and then retreat a
step. But that does not disturb me. When one is on fire, this
rushing to and fro makes the blaze all the fiercer. The fright
she has got will only fan her passion.
Perhaps I had better not say much to her, but simply select some
modern books for her to read. Let her gradually come to the
conviction that to acknowledge and respect passion as the supreme
reality, is to be modern--not to be ashamed of it, not to glorify
restraint. If she finds shelter in some such word as "modern",
she will find strength.
Be that as it may, I must see this out to the end of the Fifth
Act. I cannot, unfortunately, boast of being merely a spectator,
seated in the royal box, applauding now and again. There is a
wrench at my heart, a pang in every nerve. When I have put out
the light and am in my bed, little touches, little glances,
little words flit about and fill the darkness. When I get up in
the morning, I thrill with lively anticipations, my blood seems
to course through me to the strains of music ...
There was a double photo-frame on the table with Bee's photograph
by the side of Nikhil's. I had taken out hers. Yesterday I
showed Bee the empty side and said: "Theft becomes necessary only
because of miserliness, so its sin must be divided between the
miser and the thief. Do you not think so?"
"It was not a good one," observed Bee simply, with a little
smile.
"What is to be done?" said I. "A portrait cannot be better than
a portrait. I must be content with it, such as it is."
Bee took up a book and began to turn over the pages. "If you are
annoyed," I went on, "I must make a shift to fill up the
vacancy."
Public-domain text, read in full here on John Shaqi.
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