India -- History -- Autonomy and independence movements -- Fiction
"That is just what I was trying to explain," he said, with a dry
laugh. "Do you not know that I come to worship? Have I not told
you that, in you, I visualize the __Shakti__ of our country?
The Geography of a country is not the whole truth. No one can
give up his life for a map! When I see you before me, then only
do I realize how lovely my country is. When you have anointed me
with your own hands, then shall I know I have the sanction of my
country; and if, with that in my heart, I fall fighting, it shall
not be on the dust of some map-made land, but on a lovingly
spread skirt--do you know what kind of skirt?--like that of the
earthen-red __sari__ you wore the other day, with a broad
blood-red border. Can I ever forget it? Such are the visions
which give vigour to life, and joy to death!"
Sandip's eyes took fire as he went on, but whether it was the
fire of worship, or of passion, I could not tell. I was reminded
of the day on which I first heard him speak, when I could not be
sure whether he was a person, or just a living flame.
I had not the power to utter a word. You cannot take shelter
behind the walls of decorum when in a moment the fire leaps up
and, with the flash of its sword and the roar of its laughter,
destroys all the miser's stores. I was in terror lest he should
forget himself and take me by the hand. For he shook like a
quivering tongue of fire; his eyes showered scorching sparks on
me.
"Are you for ever determined," he cried after a pause, "to make
gods of your petty household duties--you who have it in you to
send us to life or to death? Is this power of yours to be kept
veiled in a zenana? Cast away all false shame, I pray you; snap
your fingers at the whispering around. Take your plunge today
into the freedom of the outer world."
When, in Sandip's appeals, his worship of the country gets to be
subtly interwoven with his worship of me, then does my blood
dance, indeed, and the barriers of my hesitation totter. His
talks about Art and Sex, his distinctions between Real and
Unreal, had but clogged my attempts at response with some
revolting nastiness. This, however, now burst again into a glow
before which my repugnance faded away. I felt that my
resplendent womanhood made me indeed a goddess. Why should not
its glory flash from my forehead with visible brilliance? Why
does not my voice find a word, some audible cry, which would be
like a sacred spell to my country for its fire initiation?
All of a sudden my maid Khema rushed into the room, dishevelled.
"Give me my wages and let me go," she screamed. "Never in all my
life have I been so ..." The rest of her speech was drowned in
sobs.
"What is the matter?"
Thako, the Bara Rani's maid, it appeared, had for no rhyme or
reason reviled her in unmeasured terms. She was in such a state,
it was no manner of use trying to pacify her by saying I would
look into the matter afterwards.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account