The home: its work and influenceGilman, Charlotte Perkins
General
The home: its work and influence
Gilman, Charlotte Perkins
Home
The line of comfort may be followed in its growth like the line of
safety. At first anything to keep the wind and rain off was
comfortable--any snug hole to help retain the heat of the little
animal. Then that old ABC of all later luxury, the bed,
appeared--something soft between you and the rock--something dry
between you and the ground. So on and on, as ease grew exquisite and
skill increased, till we robbed the eider duck and stripped the goose
to make down-heaps for our tender flesh to lie on, and so to the costly
modern mattress. The ground, the stamped clay floor, the floor of
brick, of stone, of wood; the rushes and the sand; the rug--a mere hide
once and now the woven miracle of years of labour in the East, or gaudy
carpet of the West--so runs that line of growth. Always the simple
beginning, and its natural development under the laws of progress to
more and more refinement and profusion. Always the essential changes
that follow changed conditions, and always the downward pull of
inviolate home-tradition, to hold back evolution when it could.
See it in furnishing: A stone or block of wood to sit on, a hide to lie
on, a shelf to put the food on. See that block of wood change under
your eyes and crawl up history on its forthcoming legs--a stool, a
chair, a sofa, a settee, and now the endless ranks of sittable
furniture wherewith we fill the home to keep ourselves from the floor
withal. And these be-stuffed, be-springed, and upholstered till it
would seem as if all humanity were newly whipped. It is much more
tiresome to stand than to walk. If you are confined at home you cannot
walk much--therefore you must sit--especially if your task be a
stationary one. So, to the home-bound woman came much sitting, and much
sitting called for ever softer seats, and to the wholly home-bound
harem women even sitting is too strenuous; there you find cushions and
more cushions and eternal lying down. A long way this from the strong
bones, hard muscles, and free movement of the sturdy squaw, and yet a
sure product of evolution with certain modifications of religious and
social thought.
Our homes, thanks to other ideas and habits, are not thus
ultra-cushioned; our women can still sit up, most of the time,
preferring a stuffed chair. And among the more normal working classes,
still largely and blessedly predominant, neither the sitting nor the
stuffing is so evident. A woman who does the work in an ordinary home
seldom sits down, and when she does any chair feels good.
In decoration this long and varied evolution is clearly and prominently
visible, both in normal growth, in natural excess, and in utterly
abnormal variations. So large a field of study is this that it will be
given separate consideration in the chapter on Domestic Art.
Public-domain text, read in full here on John Shaqi.
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