The festival of the _Thesmophoria_, held in Pyanepsion (October), was in
honour of Demeter alone; it lasted five days, and only women might take
part in it. These women had to undergo a solemn preparation of nine
days, during which they kept apart from their husbands, and purified
themselves in various ways. After this they went to Halimus, the scene
of the Thesmophoria, not in a long procession, but in small groups and
at night-time. The comic side of the Demeter festivals was visible here
also: those who went alone met each other on the way, and demanded and
gave tokens of recognition in jest, amid much laughter, which became
excessive if, as sometimes happened, a man fell into their hands. At
Halimus, in the sanctuary of the Thesmophoria, the mysteries took place
by night; the day was occupied with purifying baths in the sea, and
playing and dancing on the shore. After this had gone on for a day or a
day and a half, the women set out again for Athens, this time in a long
procession, carrying the laws of Demeter, the _Thesmoi_ whence the
festival took its name, in caskets on the head of sacred women, and the
festival was then continued at Athens, either in the Thesmophorion of
the town or in that of Peiraeus. This further celebration occupied two
days, besides the day of return; first came the day of “fasting,”
so-called because on this day the women sat in deep mourning on the
ground and took no food, probably singing dirges and observing other
customs common in case of a death; they also sacrificed swine to the
infernal gods. The third day (καλλιγενεία) bore a more cheerful
character. Its name, signifying “the birth of fair children,” seems to
refer to Demeter, who was assumed to be appeased and who gave the
blessing of fair children to women. This day was occupied with
sacrifices, dances, and merry games, of which we know very little. At
all these festivals the presence of men was most sternly forbidden; only
those women who were full citizens might take part, and probably none
who were unmarried.
Public-domain text, read in full here on John Shaqi.
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