really received the actual money, with which they could do what they
pleased; they either bought a ticket for the theatre--and very likely
these counters were really entrance tickets--or spent it in any other
way they pleased. It was not possible to control this; and herein, no
doubt, lay the disadvantage of the institution, which has often been
spoken of as injurious to the Attic democracy, since it was followed by
similar institutions at other times, and consequently the unproductive
expenses of the Attic budget extended more and more. A number of places
in the theatre were given free, or were places of honour: thus, for
instance, those reserved by the State for foreign envoys, the places for
the priests and others who had a right to special seats; naturally, the
expenses of these places had to be paid by the State to the theatrical
lessee.
The question whether women and children might visit the theatre is often
asked. Undoubtedly women were allowed to be present at the tragedies,
since there are sufficient passages to prove this. Now, tragedy was
followed by the satyric drama, which was often exceedingly coarse both
in language and gesture; obviously then the women must have sat this
out, and this need not appear so very strange to us, since there does
not seem to have been much prudery among the Greek women. Moreover, the
satyric drama was only indecent now and then, and the jokes were vulgar
according to our ideas, but not exactly frivolous, and no worse than
modern operettas to which ladies are in the habit of going. The comedies
were different, especially the older comedies, for the whole contents
are often coarse, and situations occur in them which make it impossible
for us to imagine that women or boys should have been present. Still,
all indications seem to prove that they were seen by women, with this
limitation, that respectable women who had regard for their reputation
did not go to comedies; hetaerae, who are often alluded to as eager
theatre-goers, probably constituted the greater part of the feminine
public. It also seems that boys were present. Slaves were allowed to
visit the theatre; some even earned money, and could therefore pay their
own admission, others may have gone in attendance on their masters, or
have received the money for their entrance in some other way; but it is
unlikely that they sat among the citizens; probably there were special
places allotted them; indeed it has been suggested that there were
distinct seats for every class. The only places about which this is
certain are the lowest rows, which were seats of honour for officials,
priests, etc. Moreover, it is probable, but not quite certain, that the
highest places were reserved for strangers. It has also been assumed
that the women sat in the more distant places, or, at any rate, not in
the front rows, and this seems probable; otherwise, there is no passage
which proves for certain that the seats for the men at Athens were
distinct from those of the women.
Public-domain text, read in full here on John Shaqi.
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