"You may get on all right elsewhere," he said. "I’ll tell you the truth for once in a way. You’re not the right type. Don’t you see you’re not the sort of material I’ve got to provide? Hang it all, it’s my living. Do you think I surround myself with the belles of Houndsditch and the Lord knows where because I like it? The only kind of girl I’ve any use for is the one who, besides working in business hours, makes a show in smart places the rest of her time. Miss Mortimer was a good instance of what I mean until she got swelled head. You’re a lady and you won’t do. Forget you are one and you can stop on or come back again. I mean that." She knew what he meant, and since she had no intention of modeling herself on Miss Mortimer she also did not attempt to argue the matter. De Freyne, for some unaccountable reason, tried to justify himself. "I daresay you think me a sort of understudy to Apollyon, but if you’ll look at things impartially I’m not as bad as all that. The girls I engage come to me knowing I can find them the best market. I give them far better chances than they can get anywhere else. You and your friend are—accidents. You have either got to clear or—conform. In the case of your friend, don’t you think it’s rather a shame to persuade her to buck up against things? She’s not like you. It’s not doing her a good turn. I’ve given her a chance to-day...." He let the words sink in. Alexandra left the theater, dismissed. Her luck looked desperately bad. It was unlikely that she would get another engagement until the autumn, if then. It was a long time to wait. True, she might go and stay with her nearest relatives, the Anglo-Indian Colonel, his wife and daughters, but they lived in Devonshire. Once in Devonshire it was morally certain that she would have to remain there, dependent on people with whom she had nothing in common. Her purse would not allow her to make frequent journeys to London to find work. She did not want to give up the stage without a struggle. It would be horribly humiliating to own herself beaten. She believed in her dramatic ability. She was not afraid of roughing it, but she had not seen the rocks ahead. When she turned over in her mind other ways of earning a living difficulties presented themselves. She could not do office work: she knew nothing of shorthand or typewriting. She might apply for the post of children’s governess or companion, but would she be acceptable for either? There would be questions as to her previous experience. All she would be able to cite would be a fortnight’s stage-work in the chorus, hardly the right qualification for a guardian of youth or companionship to a lady! She could picture the instinctive drawing-back of a prospective employer and the murmured "I’m afraid you won’t do...." No, she would have to go on as she had begun or drop by the way.