London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
She came into active collision with them for the first time when she
went on the stage. She could not shut her eyes to the condition of
things there any more than she could shut her ears to the sordid
language of the girls in their common dressing room. But it made her
ashamed to be a woman, a being of the same sex. These girls thought of
men only in one way. The men whom they spoke of as their "boys" or
their "friends" were certainly not any coarser in mind than the girls
themselves. They had no more reserves of speech than factory-hands.
There were exceptions here and there, but being exceptions they were
negligible as a power of reform.
Some girls attained their positions legitimately, she knew; but how few?
One could count them on the fingers of one hand. Every one of them had
had some one, a mother or a father to look after them, a father who
waited at the stage-door every night, a comfortable home. They had been
dressed well by their people. Though in the chorus, they had never
known its strain and stress, for they had not been of it. Its hardships
and temptations had, so to speak, been screened from them, and they had
been curiously impervious to its language. Hence it was that their
reputations had not suffered.
Even out of musical comedy how few illustrious names were unassociated
with scandal. Alexandra had heard the true story of how one of
England’s most prominent actresses was selected for her first important
part—that of a courtesan. An actress sufficiently convincing in the role
could not be found, till at last the author of the play exclaimed in
exasperation: "Well, if we can’t get the actress, let’s have the woman."
The equivalent had been lauded by the Press and the public, and the
author’s fees had not appreciably diminished!
Alexandra knew now that her own chance of succeeding through hard work
or any talent she might possess was about one in a thousand. She learnt
of the many capable actors and actresses—some of them more than
capable—who were touring the provinces year after year, and would wear
out their souls and their lives touring the provinces. It was more than
a hard struggle for the women: women were scarcely given a fighting
chance.
Yet all she could do was to fight, fight all the time so as not to drop
out; to make a bare living, not to lose sight of ambition’s pinnacle
while she was forced to dwell in the plains of penury. But as regards
Maggy she would not influence her one way or the other. Maggy would
have to decide for herself.
During the ensuing week they were less together than they had ever been.
In the morning Maggy was at the theater while Alexandra went the round
of the stage-doors to see if there was a chance of her being taken on.
Very often they did not meet till after the show in the evening. For
the first two nights Alexandra had gone to meet Maggy and had walked
back with her; but now Maggy came home in Woolf’s car. She said nothing
about him. Alexandra asked no questions.
Public-domain text, read in full here on John Shaqi.
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