London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
"What sort of things?"
"Principally morals and—lack of morals.... Not long ago I had everything
neatly labeled and pigeon-holed in my mind. Things were either good or
bad. People the same. Now all the labels seem to have come off....
Really, I’m not half so good as poor Mrs. Lambert was, and yet she did
what I always considered so wrong. She lived with Lord Chalfont. The
strange thing is it didn’t make either of them bad. They were just like
two married people who had the deepest respect for each other."
Maggy gave a nod of comprehension. "And that puzzles you?" she asked.
"Yes, in a way."
"I think I know why. You’re asking yourself whether that sort of thing
is really bad, after all, since it didn’t drag them down. You’ve got
the labels wrong, mixing up morals with people and putting them all
together in the honey-pot. The stage, I mean. It’s a contaminating
place, right enough. The wonder is how anybody gets out of it clean.
Some people can drink filthy water and keep healthy, and others get
typhoid from it. It doesn’t alter the water. What makes me sorry is
that nice people like Mrs. Lambert and Lord Chalfont and you should have
to drink it at all. The worst of it is you can’t tell whether it’s done
you any harm until it’s worked right into your system, and then you’re
generally past help. That rather proves that immorality is a sort of
disease, probably a microbe, which thrives especially on the stage.
What a pity they can’t vaccinate us against it when we’re babies. It
would have done _me_ good. _I’m_ an example of the corruption of the
stage, if you’re looking for one."
"You’re nothing of the kind, Maggy!"
Public-domain text, read in full here on John Shaqi.
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