Architects -- Fiction; City and town life -- Fiction; Fathers and sons -- Fiction; Love stories; Middle West -- Fiction
He drew up before a handsome Georgian house that stood lengthwise to
the street in a broad lot in which a dozen towering forest trees had
been preserved when the land was subdivided. There were no frivolous
lines in this residence, Bruce noted, surveying it with a professional
eye; it was beyond criticism in its fidelity to type. The many windows
were protected by awnings of deep orange and the ledges were adorned
with boxes of flowers. The general effect was one of perfect order and
uniformity. Bruce, with his interest in houses as an expression of the
character of their owners whetted by Henderson’s slangy lectures before
other establishments, turned expectantly to his friend.
“Wind up the machine and put on the record! That’s a sound piece of
architecture, anyhow, and I can see that you are dying to turn out the
skeletons.”
“Painful as it is for me to confess it, the truth is that in this
case I can only present a few bald facts and leave you to make your
own deductions.” Henderson lighted a fresh cigarette and drew a deep
draught of smoke into his lungs. “Franklin Mills,” he said, and
crossed his legs. “Mills is around fifty, maybe a shade more. The first
of the tribe settled here in 1820 and Frank is the fourth of the name.
The family always had money and this bird’s father never lost a cent
in his life. Now Frank’s rich--nothing spectacular, but recognized as
a rich man. His pop left him well fixed and he’s piled up considerable
mazuma on his own hook. Does this interest you?”
“You always interest me, Bud; please proceed.”
“Well, you might call Franklin Mills the original man who couldn’t
lose. No active business now, but he controls a couple of banks and a
trust company without figuring in the picture at all, and he set his
son up in a storage battery plant and is a silent factor in a dozen
other flourishing contributors to the smoke nuisance. Nice chap, by
the way, Shep Mills; pleasant little cuss. Franklin Mills isn’t one of
the up-from-the-office-boy type nor the familiar variety of feverish
business man; velvet glove stuff. Do you follow me? Only human touch
I’ve discovered in this house is the billiard room, and Mills is a
shark at the sport. I’ve poked the ivories with him now and then just
for the fun of watching him play. His style of playing is a sort of
clue to his character--cool, deliberate, never misses. One thing,
though, I’ve never been able to figure out: once in a while he makes
a wild shot, unnecessarily and with malice aforethought, as though to
spite himself. If you’d tell Franklin Mills he’d lost his last cent he
wouldn’t blink an eye, but before you got out of the room he’d have
thought up a scheme for making it all back.”
“A business genius,” commented Bruce, who had missed no word of
Henderson’s sketch. “I can’t say your snapshot’s very alluring.”
Public-domain text, read in full here on John Shaqi.
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