Architects -- Fiction; City and town life -- Fiction; Fathers and sons -- Fiction; Love stories; Middle West -- Fiction
When they reached the street Shepherd ordered up his father’s limousine
and saw him into it, and waved his hand as it rolled away. As he turned
to seek his own car the smile faded from his face. It was not merely
that his father had refused to permit the building of the clubhouse,
but that the matter had been brushed aside quite as a parent rejects
some absurd proposal of an unreasoning child. He strode along with
the quick steps compelled by his short stature, smarting under what
he believed to be an injustice, and ashamed of himself for not having
combated the objections his father had raised. The loss of shrubs or
trees was nothing when weighed against the happiness of the people who
had enjoyed the use of the farm. He thought now of many things that he
might have said in defence of his proposition; but he had never been
able to hold his own in debate with his father. His face burned with
humiliation. He regretted that within an hour he was to see his father
again.
II
The interior of Franklin Mills’s house was not so forbidding as
Henderson had hinted in his talk with Bruce. It was really a very
handsomely furnished, comfortable establishment that bore the marks
of a sound if rather austere taste. The house had been built in the
last years of Mrs. Mills’s life, and if a distinctly feminine note was
lacking in its appointments, this was due to changes made by Mills
in keeping with the later tendency in interior decoration toward the
elimination of nonessentials.
It was only a polite pretense that Leila kept house for her father.
Her inclinations were decidedly not domestic, and Mills employed and
directed the servants, ordered the meals, kept track of expenditures
and household bills, and paid them through his office. He liked
formality and chose well-trained servants capable of conforming to his
wishes in this respect. The library on the second floor was Mills’s
favorite lounging place. Here were books indicative of the cultivated
and catholic taste of the owner, and above the shelves were ranged
the family portraits, a considerable array of them, preserving the
countenances of his progenitors. Throughout the house there were
pictures, chiefly representative work of contemporary French and
American artists. When Mills got tired of a picture or saw a chance to
buy a better one by the same painter, he sold or gave away the discard.
He knew the contents of his house from cellar to garret--roved over it
a good deal in his many lonely hours.
He came downstairs a few minutes before seven and from force of habit
strolled through the rooms on a tour of inspection. In keeping with
his sense of personal dignity, he always put on his dinner coat in the
evening, even when he was alone. He rang and asked the smartly capped
and aproned maid who responded whether his daughter was at home.
“Miss Leila went to the Country Club this afternoon, sir, and hasn’t
come in yet. She said she was dining here.”
Public-domain text, read in full here on John Shaqi.
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