Architects -- Fiction; City and town life -- Fiction; Fathers and sons -- Fiction; Love stories; Middle West -- Fiction
The old house, built in the forties by John Storrs’s grandfather,
had become suddenly to Bruce a strange and alien place that denied
his right of occupancy. The elms in the yard seemed to mock him,
whispering, “You don’t belong here!” and as quickly as possible he
had closed the house, made excuses to his relatives, given a power of
attorney to the president of the local bank, an old friend, to act for
him in all matters, and announced that he’d look about a bit and take a
vacation before settling down to his profession.
This was all past now and he had arrived, it seemed inevitably, at the
threshold of the city where his father lived.
The beauty of the declining day stirred longings and aspirations,
definite and clear, in his mind and heart. His debt to his mother was
enormous. He remembered now her happiness at the first manifestation of
his interest in form, color and harmony; her hand guiding his when he
first began to draw; her delight in his first experiment with a box of
colors, given him on one of his birthdays. Yes; he should be a painter;
that came first; then his aptitude in modeling made it plain that
sculpture was to be his true vocation. To be a creator of beautiful
things!--here, she had urged, lay the surest hope of happiness.
Very precious were all these memories; they brought a wistful smile to
his face. She had always seemed to him curiously innocent, with the
innocence of light-hearted childhood. To think of her as carrying a
stain through her life was abhorrent. Hers was the blithest, cheeriest
spirit he had known. The things she had taught him to reverence were
a testimony to her innate fineness; she had denied herself for him,
jealously guarding her patrimony that it might pass to him intact. The
manly part for him was to live in the light of the ideals she had set
for him. Pity and love for one who had been so sensitive to beauty in
all its forms touched him now; brought a sob to his throat. He found a
comfort in the thought that her confession might be attributable to a
hope that in his life her sin might be expiated....
He took up the letters and turned them over for the last time, his eyes
caught and held now and then by some phrase. He held the sheets against
his face for a moment, then slowly tore them into strips, added the
worn envelopes and burned them. Not content with this, he trampled the
charred fragments into the sandy turf.
II
The sun, a huge brazen ball, was low in the west when he set off along
the river with confident, springy step. He stopped at a farmhouse
and asked for supper. The evening meal was over, the farmer’s wife
explained; but when he assured her that his needs were few and that he
expected to pay for his entertainment, she produced a pitcher of milk
and a plate of corn bread. She brought a bowl of yellow glaze crockery
and he made himself comfortable on a bench by the kitchen door. He
crumbled the bread into the creamy milk and ate with satisfaction.
Public-domain text, read in full here on John Shaqi.
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