Kopeli was as well trained as any civilized man whatsoever, taking into consideration the demands of the different planes of culture. Education is as general among these Indians as it is among the more enlightened people. It would be too long to go into details, but briefly the Hopi child's life is largely a kindergarten of play-instruction by kind teachers of things useful in active life. He is wrapped in the customs which have become religion, he is initiated into manhood, and takes his place, perhaps inherited, in the fraternities. With all these he is taught the lore, the practices, and the songs--minutiæ which require a strong memory. He learns the plants and the animals to which the Hopi had given descriptive names long before Linnæus or Cuvier. The sun is his clock, and all nature is near to him. He must work also in the fields if he would eat--no drones are tolerated. In short, there is a surprising complexity in this life, and its demands are weighty. Thus Kopeli at the head of the most powerful and awe-inspiring society of his people has been put to many tests and bore upon his shoulders the weight of immemorial custom. While there was in Kopeli a dignity which commands respect from the mirthful Hopi, he could on occasion be as entertaining as any of his tribe, and usually was cheerful and friendly. The exception is when the Snake rites are in progress. Then he seemed a different person, and it was not proper for him to recognize his best friend. The Walpi Snake Ceremony, of which the public dance is known to many persons, is well worth braving the journey to see. The grand entry of the Snake and Antelope priests on the dance plaza headed by Kopeli and Wiki is one of the most impressive spectacles that can be witnessed on this continent. There is so much energy put into the work; with strides positively tragic, the file of strangely costumed priests march to the _kisi_, where the snakes have been deposited. Then commences the weird dance with live rattlesnakes held in the mouth to the distant chant of Antelope priests. Kopeli was here at his best. He was a notable figure; no other participant displayed such eagerness and force. These were some of the salient elements of his character, and by these he succeeded, whether as a farmer or as Snake Priest, and took his high position among his people. There is an interesting mingling of the old and new at Walpi. Kopeli became a typical example of the union of past and present. Wiki, his Nestor, was in every fiber imbued with the usages and traditions of the past. One instinctively admires the old man's firm belief, and his respect for the ancient ceremonies. The leaven of the new was in Kopeli, as may be seen from the following. A wide-awake town in New Mexico wanted the Hopi Snake Dance reproduced at the fair held there in the autumn, realizing that it would be a feature to attract many visitors. Kopeli was approached and offered what seemed to him a large sum of money for the