But in the realm of mechanical apparatus the Hopi is even ahead of the
toy makers of the Schwartzwald. For the Palulukong ceremony he
arranges startling effects, causing the Great Plumed Snake to emerge
through screens, out of jars, or from the ceiling of the kiva, to the
number of nine appearances, each requiring artful devices. The head of
the Snake is a gourd furnished with eyes, having the mouth cut into
sharp teeth, a long tongue, a plume, and the whole surface painted.
The body is made up of wooden hoops over which cords run and is
covered with cloth. Often two of these grotesque monsters are caused,
by the pulling of cords, to advance and withdraw through flaps in the
screen and to struggle against each other with striking realism.
Nothing in Hopiland is more remarkable than this drama, as one may
gather from Dr. Fewkes' account of it given at another place.
Little of the Hopi's skill as a carver and decorator goes to the
furnishing or building of the house; almost all is taken up with
ceremonial matters. Previous to a few years ago chairs were unknown,
as was any other domestic joinery, except the Hopi head masks,
prayer-sticks and the thousand objects used in his pagan worship, in
the manufacture of which he was master of all expedients. As a worker
in stone and shell he still knows the arts of the ancient times, but
lacks the skill of his forebears. The turquoise mosaics of old days so
regularly and finely set on the backs of sea shells, have given place
to the uneven scraps of turquoise set in confusion on bits of wood, as
on the woman's earrings. Many devices have gone out entirely, and it
is probable that no Hopi could make an axe of hard stone like the old
ones or chip a finely proportioned arrowhead. The hand-stones for
grinding corn are still made, and a woman pecking away at one with a
stone hammer is not infrequently seen and heard.
The Hopi were never metal-workers, because free metals are scarce in
the Southwest. Their name for silver, with which they became familiar
in the shape of coins, is _shiba_, "a little white cake." Gold they
regard with suspicion, since it resembles copper or brass, with which
they have been deceived at times by unscrupulous persons. A few
workers in silver have produced some crude ornaments, but the Hopi
gets his buttons, belt ornaments, etc., from the adept Navaho,
silversmiths by trade, through whom also strings of beads come from
the pueblos of the Rio Grande.
Public-domain text, read in full here on John Shaqi.
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