The practical side and the mutual helpfulness of the Hopi come out
strongly here, when a few days later the loud-voiced crier announces
the time for the spinning of the cotton for the bride's blankets.
This takes place in the kivas, where usually all the weaving is done
by the man, and with jollity and many a story the task is soon
finished. The spun cotton is handed over to the bridegroom as a
contribution from the village, to be paid for, like everything else
Hopi, by a sumptuous feast which has been prepared by the women for
the spinners. Perhaps ten sage-brush-fed sheep and goats, tough beyond
reason, are being softened in a stew, consisting mainly of corn;
stacks of paper bread have been baked; various other dishes have been
concocted, and all is ready when the crier calls in the hungry
multitude. They fall to, like the genius of famine, without knives and
forks, but with active, though not over-clean digits, at the start.
When they are through, there is little left for the gaunt,
half-starved dogs that scent the savors of the feast outside the door.
If one desires to see the Hopi at his happiest he must find him
squatted on the floor before an ample and well-spread feast.
With the spun cotton serious work begins for the bridegroom and his
male relatives lasting several weeks. A large white blanket five by
six feet and one four and a half by five feet must be woven, and a
reed mat made in which the blankets are to be rolled. A white sash
with long fringe, and a pair of moccasins, each having half a deerskin
for leggings, like those worn by the women of the Rio Grande pueblos,
complete the costume. The blankets must have elaborate tassels at the
four corners. Shortly before sunrise the bride, arrayed in her
finery, performs the last act in the drama, called "going home." It
must be explained that up to this time the bride has remained in the
house of her husband's people. Wearing the large white blanket
picturesquely disposed over her head and carrying the small blanket
wrapped in the reed mat in her hands, she walks to her mother's house,
where she is received with a few words of greeting, and the long
ceremony is over.
In this land of women's rights the husband must live with his wife's
relatives. The children, also, are hers, taking their descent from her
and are nearer kin to her brothers and sisters than to the father. The
house they live in is hers, and all the corn and other food brought
into its grain room. In case of domestic troubles, she alone has the
right of separation and can turn the man from her door. Though this
dark side of the picture is sometimes presented, the rule is that
husband and wife are faithful and live happily, as becomes the
Peaceful People.
Public-domain text, read in full here on John Shaqi.
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