Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction
Lynn suddenly remembered why she had emerged from her office in such
haste and the mystery of the strange sound began to trouble her again.
It was neurotic, of course, a haywire kind of curiosity that she ought
not to have succumbed to. But whenever she started anything she liked
to finish it.
She thought of asking Macklin to accompany her down the corridor, but
almost instantly thought better of it. He'd probably laugh her concern
to scorn and she'd taxed his patience enough already.
It was her baby and she'd better carry it--as far as the reception desk
anyway. She'd ask Susan Weil, and if Susan hadn't heard anything she'd
know she was being foolish. She'd go back and sit down and finish the
pile of remaining manuscripts. She said goodbye to Macklin and went on
her way.
There were three offices to pass before she reached the end of the
corridor and turned into the small, reception desk alcove.
Three offices to pass ... pigeons in the grass. It sounded like
something from Gertrude Stein, or some nonsense rhyme from childhood.
She amused herself by repeating it over and over, as most people are
prone to do with snatches of song or meaningless limericks when they're
under tension.
"Why should that sound have disturbed me so much?" she asked herself
and got no answer.
One of the offices, behind which she suspected that Fred Ellers would
be sitting with his tie off, not just awry as Macklin's had been,
presented to her gaze only a frosted glass exterior. The door was
closed and probably locked, for Ellers had a habit of locking himself
in when he was hitting the bottle.
The second office, from which the sound of another clicking typewriter
issued, was occupied by Ruth Porges, trim and immaculate in the stiff,
tailormade suit she customarily wore as if it were some kind of uniform.
The third door was ajar and a very distinguished-looking individual sat
behind it. Allen Gerstle, white-haired and bespectacled, spent a lot
of time over his exposé columns. He had a rare feeling for beautiful
prose, wasted perhaps at times, but Lynn knew that a good style was
an asset, even when only the cafe society set was prepared to take it
seriously.
Lynn found herself at the reception desk almost before she realized
that she had completely traversed the corridor. Susan Weil was
answering the phone, but she cupped the mouthpiece with her hand and
turned from it when she saw Lynn standing at her elbow.
"Is there something--?" she asked.
"I heard a funny sound a few minutes ago," Lynn said. "It sounded
like ... like...."
"I know," Susan Weil said, helping her. "I heard it too."
"Where do you think it came from?"
"How should I know?" Susan asked, annoyed by a furious buzzing from the
switchboard.
Public-domain text, read in full here on John Shaqi.
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